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Ray Charles' notes to Jack Sheldon's album. |

I assume that Paich - who was Ray's favorite arranger in his early ABC-Paramount years - was the linking pin between Charles and Sheldon. Highly remarkable was his organ playing, sounding almost exactly as awkward as Ray's Hammond wizardry on Genius + Soul = Jazz (Impulse 2, February 1961), "[...] making it seem as if the instrument is being operated by a bellows", as Marc Meyers remarked in this excellent Jazz Wax article about this album.
Meyers made 3 of the tunes available online (I wish someone would send me a copy of the complete album;-): When Your Lover Has Gone, Moonlight in Vermont, and One Mint Julep.
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