These 3 portraits were published in the 1966 souvenir brochure for the Crying Time tour, but were taken 2 - 4 years earlier.
Promotional postcard, circa 1964, issued by French record company Vega (coll. Joël Dufour).
Circa 1964, by unidentified photographer. |
Photo by Herman Selleslags, |
Publicity photo of The Raelettes, c. 1964. Clockwise from top: Darlene McCrea, Pat Lyles, Gwen Berry, Margie Hendricks. (Collection Joël Dufour). |
The photo is from '64. |
At unidentified venue. (c) Rex Features. |
Chicago, backstage with child prodigy Fred Nelson III, c. 1964. |
33 RPM (17 cm) single pack for jukebox distribution (ABCS 480-1). Coll. André Monot. |
Jet reported on every step in the court procedures. This clipping is from September 1963. |
Full page ad in Billboard, Feb. 22, 1964. |
McCormick Place in Chicago, announcing the gig for April 17 (the booking was clearly extended). |
Photo taken at McCormick's, year not sure. |
Ad from Joplin Globe, 12 Apr. |
Auditorium, Waterloo IA.
23 April 1964
Ad from Syracuse Post Standard, 5 Apr. |
June 1964
Ad in Cashbox, Aug. 8. |
American title. |
Shoots for Ballad In Blue at the Admore Studios (Bray, Co. Wiklow) and at the Gaiety Theatre in Dublin. On and around 9 June 1964
The shooting at the studio was picketed by electricians: see this.
The shooting at the Gaiety is best documented here and here and here.
Set photo of Ray and director Paul Henreid at the Dublin Gaiety Theatre on or around June 9, 1964 (coll. J. Dufour). |
Set photos, dated 9 June, shot at the Gaiety Theatre in Dublin. Photo (c) SKP/Lensmen/Irish Photo Archive. |
E.T.U. electricians picketing at Ardmore Studios in Bray on June 9. Photo (c) SKP/Lensmen/Irish Photo Archive. |
Set photo (shot at Ardmore Studios in Dublin), with Joe Adams and Tom Bell,. |
Probably a set photo (shot at the Gaiety?). |
Set photo: 'composing' with Tom Bell. |
Photo from the archives of the Philadelphia Tribune; from this same shoot? |
3 set photos above: Mary Peach and Ray Charles. |
On the set, with Paul Henreid and Tom Bell. |
Set photos: school scene. |
Theater ad from New Musical Express, February 12, 1965.
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Still from the film Ballad In Blue: marquee of the Olympia Theatre, with announcement of the concert on August 5. |
With Raita Johnson; photo by Siegfried Loch (probably in London). |
The Raelettes, from a '64 UK souvenir brochure. |
With Edgar Willis on bass. Photographer unknown. |
Ray Charles in '64; possibly shot at Gröna Lund Tivoli, Stockholm. |
Concert in Copenhagen; photos by Jan Persson. |
This photo (collection Joël Dufour) was made in 1963 or 1964 at the Cullaz home by Eddy Wiggins. Left to right: Catherine Cullaz, Yvonne Cullaz, photographer Eddy Wiggins’ girlfriend, singer Mimi Perrin, Maurice Cullaz. Mimi Perrin was the founder and lead singer of Les Double Six De Paris, a close harmony group that released The Double Six of Paris Sing Ray Charles (Philips, PHM-200-141) in 1964, which was nominated for a Grammy in 1965. |
De Montfort Hall, Leicester.
9 or 10 July 1964?
16 July 1964
City Hall Sheffield.
17 July 1964
Odeon Theatre, Birmingham.
Ticket stubs for both concerts. |
19 July 1964
New Victoria Theatre, London.
20 July 1964
Concert “The Man They Call Genius” at Fairfield Halls in Croydon; Charlie Watts, Keith Richards, Brian Wilson in the audience. Ray Charles debut on British TV since "his concert [...] is telerecorded by Rediffusion for transmission in October. The entire second house of Charles' public performance with the orchestra will be filmed, and subsequently edited to a 45-minute TV showcase" (source: Record Mirror, August 1, 1964). Also read this.
21 July 1964
Guidhall, Portsmouth.
22 July 1964
Odeon, Southend-on-Sea.
25 - 26 July 1964
Hammersmith Odeon, London UK. Flyer (watermarked). 27 July 1964 Tivoli Koncertsalen, Copenhagen DK. 29 July 1964 Folkpark, Gävle SE. 30 July 1964
Gröna Lund Tivoli, Stockholm SE (initial date was 28th; but this was postponed because The Beatles were in town then).
Cover of Japanes music magazine, Oct. 1964.
1? August 1964
Star Club,
***conflicting with*** Double concert at Kurhaus in Scheveningen NL (earlier announced for May 11, with concerts at Nieuwe Rai in Amsterdam and Houtrusthallen in The Hague). Photos by Koen Wessing. "Agressive blues in rather cold atmosphere". From Het Parool, August 3. Seen at Schiphol Airport (Amsterdam). See photos here.
4 August 1964 La Patinoire des Vernets, Geneva ("Triomphe"; read review here; traveling with Raita Johnson). Arriving in Geneva with Raita Johnson. From Le Matin - Tribune de Lausanne, Aug. 4. 5 August 1964 In Paris, for concert at the Olympia. Roaming the city with Raita Johnson and Henri Goldgran.
Photo: Roger-Viollet/Rex. 9 August 1964 Comblain la
18 August 1964 At summer music-hall La Bussola in Marina di Pietrasanta - "a success quite unprecedented," Cashbox wrote ("thanked the fans with his forehead touching the ground"; read this). 21 August 1964 The Raelettes land at Tokyo Airport. 22 August 1964 Ray and the band land at Tokyo Airport. Concert at Kosei-nenkin Hall, Tokyo.
Cover of 1964 Japan tour souvenir brochure.
Kosei-nenkin Kaikan, Nagoya. 24 August 1964 Ft. in The Man They Call Genius, an ARTV show (UK), televised on August 26th. See above, sub July 14, and read this. 24 - 25 August 1964 Festival Hall, Osaka. Spread from Japanese souvenir brochure. Ray playing on Hammond. 27 August 1964 Back at Kosei-nenkin Hall, Tokyo. 28 August 1964 Kyoto Kaikan, Kyoto. September 1964 Release of the single Smack Dab In The Middle / I Wake Up Crying. 1 - 2 September 1964 Concerts in Melbourne. On the 1st airport arrival in With Raita Johnson. Photos: Getty. 3 September 1964 Festival Hall, Brisbane. Traveling with Raita Johnson. Photo by Ray Saunders. 4 - 5 September 1964 Sydney Stadium, Sydney. "A sell-out crowd of 20,000 saw Charles, his 17 yellow-jacketed Negro musicians and four Negro girls in pink in Sydney's sordid stadium, Rushcutters' Bay [...]. Peter Luck in the Canberra Times: "For 20 minutes the crowd heard the big, brassy orchestra' of drums, bass trumpets, saxophones, flutes and trombones swing.with that sort of professional harmony that seems to come so easily to the best American jazz orchestras. And they heard some clean clear solos all done with the "tired" ease characteristic of the Negro jazzmen. Bass player and leader Edgar Willis stood alone near the' empty piano. David "Fathead" Newman (tenor sax and flute) had a blow in Bearcat, and later again with fellow tenor saxophonist and flautist James Clay. Drummer Wilbert Hogan. [...] The orchestra also did things like Blues Yana and Pyramid and then the Charles introductory number. Birth of a Band. Then they led the tall, gangling "genius" down the aisle and set him behind the grand with a microphone an inch from his face and everything was his. [...] Everything Charles sang had his unique "brand". It is an incredible voice —sometimes tender, sometimes gutteral, sometimes pleading, sometimes demanding, with a halt that is strangely touching. It ranges from a huskiness to a falsetto, and even laughter in the swingover rhythm "Baby Don't You Cry." All the while he rocks in rhythm across the key board. His hands keep up a rolling, thumping beat in What'd I Say, Hit the Road Jack, Two Ton Tessie and others. [...] There was the lilting Georgia On My Mind with a different backing from his million selling record. The sole accompaniment was by flautist James Clay. And then another million seller, I Can't Stop Loving You, again different from his records because of the new Raeletts and she absence of a string backing (which was not missed). The mood changed again with Two Ton Tessie and Hard Hearted Hanna, two of the best songs from Have a Smile With Me, Charles' latest L.P. which has been heavily "canned" from the Soul Brothers spheres. Then there was a blues again, his immortal Hallelujah I Love Her So, first recorded in 1955; sentimental but with that unique Ray Charles personality. We also had Let The Good Times Roll, Don't Set Me Free and Busted; no encores and the show was over. It was too short." 6 September 1964 Concert on Hawaii. 18 September 1964 At Spreckels Theatre in Start of coast-to-coast tour in U.S. Ad in Variety (Sep. 16). 19 September 1964 Arena, Long Beach CA.
Shrine Auditorium in From 1966 souvenir brochure; uncertain if caption really specifically refers to Shrine concert. F.l.t.r. Gwen Berry, Lillie Fort, Bobbie Pierce, Helen Bryant (from a 1964 Australia tour brochure). Between 21 and 24 September 1964 Concert at Montgomery Coliseum canceled (read this, and the clipping sub 28 Sep.). 25 September 1964 Spreckels Theatre, San Diego CA. 26 September 1964 Auditorium, Long Beach CA. ?27 September 1964? [See sub 20th] Shrine Auditorium, LA. 28 September 1964
30 September 1964 Moody Civic Center, Galveston TX.
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From Cleveland Plain Dealer, 4 October 1964. |
Théatre St-Denis,
Arrested at
November 1964
Release of the single Makin' Whoopee (vocal) / Makin' Whoopee (instrumental).
20 November 1964
Two shows at Dade County Auditorium, Miami FL.
21 November 1964
Memorial Coliseum, Jacksonville FL.
24 November 1964
Preliminary hearing in
27 November 1964
Arena, Richmond VA.
28 November 1964
Last gig of the year, at Brooklyn Academy of Music, Brooklyn NY.
Two ads in Village Voice, Vol. X, #3 (Nov. 1964). |
End of November - December 1964
Home in LA.
At an unidentified venue in St. Petersburg. Photo by Al Satterwhite. |
From concert brochure. |
Ray Charles with Raita Johnson, c. 1964. Both photos have handwritten notes locating them in Deauville. |
With Raita Johnson, c. 1964. |
With Count Basie, around 1964. The guy seen on the back may be Ray's valet, the girl on the right probably is Raita Johnson. |
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