Until now* I've confused the description of this Raelettes live-song, which was on the band's repertoire between 1978 and 1984, with the We're Gonna Make It-trackfrom the Renaissance album.
This actual tune was written by Billy Preston. Rene Hall penned the arrangement for the band.
Single3 (B): Tangerine TRC 940, April 1964, b/w Let No One Hold You.
Compilation album: The Raelettes, Hits And Rarities, Titanic Records TR-CD 4422, 1993.
Written and produced by Ray Charles (also on piano). The Vocals: Lamonte McLemore, Marilyn McCoo, Harry Elston, and Floyd Butler. David Fathead Newman on tenor sax.
Two years later The Raelettes - with Merry Clayton singing lead - released their version of the song on Tangerine TRC 976.
Single (A): Tangerine 984, 1968, b/w I'm Gettin' 'Long All Right.
Album3: The Raelettes, Souled Out, Tangerine 1511, 1971.
Ray Charles on piano. The Raelettes (probable line-up): Merry Clayton (lead), Clydie King (contralto), Gwen Berry (alto) and Alex Brown (tenor). Recorded at RPM International, Los Angeles, with uncredited musicians (all or most from the Ray Charles orchestra).
The Raelettes (probable line-up): Vernita Moss, Susaye Green, Mable John, ?Dorothy Berry? and Estella Yarbrough. Ray Charles also contributed backing vocals.
Recorded at RPM International in Los Angeles, with uncredited members of the Ray Charles Orchestra.
The album was recorded on 5 and 7 February 1962 at the Capitol Studios in New York City, and on 15 February at the United Recording Studios in Hollywood.
Arranged by Gerald Wilson.
For the little that is known about the personnel, follow the link to the album description, above.
50 Years Of Country Music, 1978 - with Glen Campbell:
Live:
The 1978 duet with Glen Campbell was recorded at the NBC TV show 50 Years Of Country Music, and was released on a compilation DVD, Country's Greatest Stars Live(Vol. 1), Shout Factory, 26 January 2010.
Recorded at Ouistiti Studios and Plus XXX Studios in Paris, RPM International in Los Angeles, and Lighthouse Recording Studio, Studio City, California.
Album: Album: Genius Hits the Road, ABC/Paramount 335, July 1960.
Single (B): ABC 10135, August 1960, b/w Georgia On My Mind.
Recorded at the Capitol Studios in New York on 29 March 1960.
With John Hunt, Marcus Belgrave, Martin Banks - trumpet; David Newman - tenor saxophone, Hank Crawford - alto saxophone, Leroy Cooper - baritone saxophone; Milt Turner - drums; Edgar Willis - bass; The Raelettes - voc.
Arranged and conducted by Ralph Burns, according to the liner notes. In reality, the tune was probably charted by Al Cohn.
O Gênio, São Paulo, 1963:
Live:
The song remained on the band's published longlists from 1961 to 1964.
The first known recording at the Fillmore East in New York City on April 18, 1970 may well have been the best. Estella claimed the tune from the beginning until the end.
.
Ray Charles - piano; Blue Mitchell, Bill King, Herbie Anderson, Marshall Hunt - trumpets; Joe Randazzo, Henry Coker, Glenn Childress, Fred Murell - trombones; Andy Ennis, David Newman, Jay Cloyd Miller, Curtis Peagler, Leroy Cooper - saxophones; Ben Martin - guitar; Edgar Willis - bass; Ernie Elly - drums; Kenny Lupper - piano, organ. Raelettes: Mable John - contralto vocal (lead vocal), Susaye Green - soprano vocal, Estella Yarbrough - alto vocal, Vernita Moss - bass vocal.
Pat Peterson (video still), by far the most exuberant dancer in the long history of The Raelettes
Unreleased.
Among Ray Charles fans Do It To Me Slow is best known for its triumphant theme, which for many years was played as the introduction 'jingle' for the walk-on of "All 5", a.k.a. The Raelettes. The tune was arranged by Ray Charles and James Polk.
Pat Peterson gave a very vivid performance of the full version of the song during Ray's second concert at the North Sea Jazz Festivalin The Hague, on July 13th, 1980.
A sample of the residual version for The Raelettes' walk-on (from Montreux 1997, starts at 45'20):
Ray and the girls kept on to Donny's tempo: a long, slow, soaring love lament. It was performed many times by Trudy Cohran, and (after she left The Raelettes) also by Tonette McKinney.
If this song title, listed in an Australian newspaper, was correct (as far as I know, the Charles troupe didn't perform it elsewhere), the best candidate for Tthe composition is the Randazzo/Weinstein song, made famous by Little Anthony & The Imperials, and Dionne Warwick, and then it would surely have been performed by a Raelette., but... in an instrumental version.
The Genius Of Ray Charles was a 2-part television special with a live concert taped on 18 August 1967, at the Festival Hall in Melbourne.
Ray Charles on piano. Ft Estella Yarbrough. The Raelettes (probable line-up): Vernita Moss, Susaye Green, Mable John, Dorothy Berry and Estella Yarbrough. Recorded at RPM International in Los Angeles, with uncredited (orchestra/session?) musicians.
This song was only (audience-)taped once at the "Ray Charles Show 1968" in Fresno, on October 25.
"She's gonna talk about what she appreciates in a man," is how Ray introduced Sister Verlyn, who then performed a highly forgettable rock 'n roll song (not the famous A. Dubin/J. Burke tune with the same title).
"If it's really something good that was not on the record, that's okay, because when I perform I can make the performance of the song better than the record was."
The Genie
Ray Charles at the Apollo (Apr. or maybe Oct. 1959), working on his Wurlitzer. Photo by Alex Harsley.
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About
The Ray Charles Video Museum is a research project, documenting live performances by The Genius.
This blog is above all aMediagraphy. It's also a discography (or, more correctly, a trackography), aggregating all tunes that Ray sang and/or played - including the "canon" of 700 tracks listed on the official Ray Charles website, but also identifying the songs that have never been officially released, and e.g. the recordings of other artists, where Ray backed them on piano. Thirdly, this blog has evolved into a multimedia Chronology (click the years in the panel al the top of this page) of Ray's productive live.
I also try to do some justice to the more than 1,000 great musicians and singers who contributed to Ray's career (1, 2).
The Quotes page lists the wisest, craziest and funniest things that the Genius ever said. If you want to read more about Brother Ray, go here.
The availability of the streaming video and audio content on this blog is constantly under pressure. Some rights owners still think that sharing these videos damages their sales. I'm keeping disfunctional clips as placeholders - to show that the footage exists, and to replace them when new uploads appear on the Web.
The articles in this blog are continuously updated and improved. Your help is more than welcome.
The Bishop seduces the world with his voice
Sweat strangles mute eyes
As insinuations gush out through a hydrant of sorrow
Dreams, a world never seen
Mounded on Africa's anvil, tempered down home
Documented in cries and wails
Screaming to be ignored, crooning to be heard
Throbbing from the gutter
On Saturday night
Silver offering only,
The Right Reverend's Back in Town
Don't it make you feel all right?