(recto) of the tapes.
- Happy Faces / Sonny Stitt (Ray Charles Orchestra) - solo DN - ts (3'00")
- Along Came Betty / Benny Golson (Ray Charles Orchestra) - solo MB - tp (3'19")
- My Baby (I Love Her, Yes I Do) / Ray Charles (with The Raelettes) - ft. MH (4'26")
- Sticks And Stones / Titus Turner (with The Raelettes) (3'33")
- Georgia On My Mind / Hoagy Carmichael, Stuart Gorrell - solo DN - fl (6'20")
- Blue Stone / Hank Crawford (Ray Charles Orchestra) - solos HC - as; PG - tp; DW - ts; RC? - as (7'06")
- Margie / Benny Davis, Con Conrad, J. Russell Robinson (2'51")
- Hit The Road Jack / Percy Mayfield (with The Raelettes) (2'32")
- Birth Of A Band / Quincy Jones (Ray Charles Orchestra) - solos DN, DW - ts (chase); BC - d (3'54")
- I Remember Clifford / Benny Golson (Ray Charles Orchestra) - solo JH - fh (5'26")
- Come Rain Or Come Shine / Johnny Mercer, Harold Arlen - solo DW - ts (7'06")
- Ghana / Ernie Wilkins (Ray Charles Orchestra) - solos DN - fl; LC - bs; SF - g (4'15")
- I Believe To My Soul / Ray Charles (with The Raelettes) (4'04")
- I've Got News For You / Roy Alfred (4'30")
- Misty / Erroll Garner (Ray Charles Orchestra) - solo HC - as (7'54")
- My Bonnie / Standard; arr. Ray Charles (with The Raelettes) - solo DN - ts (3'45")
- I Wonder / Cecil Gant, Raymond Leveen (with The Raelettes) (3'44")
- Ray Minor Ray / Benny Golson (Ray Charles Orchestra) - solos DW, DN - ts; EW - b (4'02")
The archived tapes probably do not represent the order of the original setlist. The band-only instrumentals (#01, 02, 06, 09, 12, 15, 18) were almost always played before the intermission. At the end of #6 (Blue Stone), though, you can clearly hear Ray Charles say "All right!", which makes it probable that for this song The Genius played one or more of the solo parts on alto (just as he did in 1962, in Paris).
Assuming that Radio Basel at the time has broadcast the tunes in the order of the tapes, it's impossible to conceive what kind of storyline the program maker was following.
This, so far, is the first-ever recording of the Ray Charles big band. The troupe appeared in its second known line-up, but sounded very well rehearsed (Ray's old small big band still formed the nucleus of the group)**. The ensemble play was very tight. Since Ray Charles only played piano, not Hammond, at this gig, the sound of the band as a whole is radically different from the concerts that were staged 2 days later, in Paris.
Misty (#15) is the only known live recording of this song by the Ray Charles Orchestra. Crawford's original studio version is known from his 1961 album More Soul (Atlantic SD 1356; the tune was also released as a single on Atlantic 45-5013), but this wonderful rendition is even more soulful. The tune's occurrence on the setlist is unexpected (it was e.g. never mentioned in any contemporary souvenir brochure's repertoire list).***
The extended outro of #4 (Sticks And Stones) sounds a lot like some early live versions of I've Got A Woman. As to be expected, #11 (Come Rain Or Come Shine) got yet another bone chilling rendition with Don Wilkerson on tenor. #10 and #14 are very early live recordings of I Remember Clifford, with an excellent solo on flugelhorn by John Hunt, and I've Got News For You.
To Mario Schneeberger, who put me on the right trail, and to Peter Bürli, Redaktionsleiter Jazz at SRF 2 Kultur, who kindly allowed me to listen to the Radio Basel tapings.
* Announcements to some of the tunes were edited on 4 separate, numbered tracks (left out from the list above). The two tapes (with resp. #10-18 on tape "1" and #01 - 09 on tape "2A"), are archived by SFR under ID number BS_MG_FLU_6554_K01. ** Actually, with the exception of the July concerts in Antibes, Ray played that year with an "augmented" orchestra [i.e. big band] from April to December. *** Brother Ray recorded Misty much later, playing piano, with Steve Turre (album: In The Spur Of The Moment (Telarc B00004TUOZ, 1999).