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Another photo made during
the concert is here. |
- (Night Time Is) The Right Time* (with Margie Hendricks)
- In A Little Spanish Town
- I've Got A Woman
- Blues Waltz
- Hot Rod (aka The Spirit-Feel) (alto solo by Ray Charles)
- Talkin' 'Bout You (with Raelettes)
- Sherry
- A Fool For You
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1956. But watch the microphone!
F.l.t.r.: Pat, Mary Ann, Gwen.
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The 1958 Newport Jazz Festival was Ray's first well planned live platform for recognition as a jazz musician (although he was booked for Newport's first
Blues Night**). The live recording of the concert, on 5 July 1958, and then the successful release of the album did the rest. At the end of 1958
Downbeat Magazine named Ray Charles the Best Male Star – New Singer.
Personnel:
Musicians: David Newman – tenor saxophone; Hank Crawford – baritone saxophone; Marcus Belgrave, Lee Harper – trumpet; Edgar Willis – bass; Richie Goldberg – drums.
Raelettes: according to the liner notes of the
Pure Genius box set the line-up was:
"Mary Ann Fisher & the Raelets (Margie Hendricks, Priscilla 'Pat' Moseley Lyles, Ethel 'Darlene' McCrea)”. But if attributing the photo at the left to the Newport 1958 concert is correct, then Gwen Berry was there, and Darlene McCrea most probably was not.***
Atlantic 1289, 1958-10.
Soundclip (whole album):
Read
this article about a radio broadcast of Ray's concert (and about an obscure bootleg of same).
*Atlantic gutted the middle part of the song; cf. this. ** Ray was booked that night - along with 'non-jazz' artists such as Chuck Berry, Big Joe Turner and Big Maybelle - by the legendary jazz impresario John Hammond. ***This conjecture was proposed by Joël Dufour.
Radio
I've written
here before about the treasures of the
Voice of America Music Library, now in the Library of Congress. There are a few hurdles preventing me from thoroughly harvesting their collections. Firstly, the Library's sound recordings are roughly, at this point in time, only 50% cataloged. Secondly, the LoC uses several - sometimes confusing a/o otherwise non-intuitive - search interfaces and several quite complicated search technologies to help people browse their databases. The third hurdle, of course, is the distance between Amsterdam and Washington.
Today however, I stumbled upon yet another
intriguing page describing the tapes and contents of a CBS radio program that was "Recorded at the Newport Jazz Festival in Newport, Rhode Island on Friday evening, July 5, 1958" (LoC Shelf no. RGA 0061 - 0062; RWD 5736 A--5737 A). The catalog's summary specifies that it was a "Radio broadcast
preceding the festival concert", but that of course can't be taken literally.
The program entailed four segments:
- 3 tunes "Performed by Maynard Ferguson Orchestra".
- 4 tunes "Performed by Ray Charles, vocalist; Raylets [sic!]; Ray Charles Sextet".
- 4 tunes "Performed by Big Joe Turner, vocalist; Pete Johnson, pianist".
- 3 tunes "Performed by Raylets; Ray Charles Sextet" + 1 tune "Performed by Ray Charles, vocalist; Raylets; Ray Charles Sextet".
An article in the
Newport Daily News of 7 July 1958 makes clear that the
Blues Night program was indeed wrapped around the radio broadcast. Conover had a double role as the evening's MC and as radio presenter. Some of the artists - including Ray - first played their parts in the 1-hour broadcast, and later returned on stage to perform the remainders of their sets.
The essence from the clipping below is in the following quotes
[including spelling errors]:
Continuing the hour-long presentation for radio [the] Ray Charles sextet was introduced. [...] The ensemble set the 'blues' tone of the evening, presenting perfectly rehearsed, complex arrangements of 'rhythm 'n blues' numbers in a modernistic vein.
The Charles version of 'In a Little Spanish Town' could perhaps have been styled 'Perez Prado Plays Dixieland'. It was a combination of some very intricate Latin rhythms with a blues wail.
Willis Conover, Voice of America jazz impresario and master of ceremonies for the entire festival, gave a brief, sensible talk about blues and how teenagers have found some answer to their basic needs in the rhythm 'n blues idiom. [...]
The Ray Charles group returned to offer 'Hot Rod', a fiery piece that made the sextet sound like a 17-instrument band. Immense vitality came to the fore as the group turned to 'Cheri' and 'The Blues Waltz'. The Raylettes followed with 'The Night Time is the Right Time' and other blues arrangements."
Variety of July 9, 1958 had this review of the CBS radio coverage of the festival:
According to the LoC catalog, Ray's first segment encompassed (I'll give the correct titles between square brackets):
- Nobody But You [= Talkin' 'Bout You]
- Way Down Upon The Swanee River [= Swanee River Rock (Talkin' 'Bout That River)]
- Mambo [= In A Little Spanish Town?]
- The Blues [= A Fool For You?]
Ray's second segment had:
- Hot Rod [= (Spirit Feel) Hot Rod]
- Cherie [= Sherry]
- The Blues Waltz [= Blues Waltz]
- Yes, Indeed [= Yes Indeed]
Compared to the
Atlantic session list,
(Night Time Is) The Right Time was left out of the broadcast. The order of the songs differs completely from that same source, and also from the live album,
Ray Charles At Newport.
Some of these tapes have versions (or: edits) that are different from the (edited) releases by Atlantic.
The
Paley Center describes a 57:06 CBS radio recording titled
Newport Jazz Festival with Mitch Miller and Willis Conover (ID RB:14117) with Ray Charles, [Big] Joe Turner and Maynard Ferguson, dated (incorrectly) in 195
6...
NOTE 1:
The live Newport versions of
Yes Indeed and
Swanee River Rock (Talkin' 'Bout That River) - the latter in an edited variant version - were first released on the album
Yes Indeed (1958).
NOTE 2:
Finding the description of this radio program solves a lot of questions I had about a hard-to-get bootleg, titled
Newport Jazz Festival 1958, July 3rd-6th. Vol. IV, Blues In The Night, No. 2, on the Phontastic label, from 1992 (UPC: 7319200021245). The incredibly corrupt liner notes quoted in descriptions of that release clearly originate from the tapes in the Library of Congress. E.g. compare these sources:
1,
2.
Joël Dufour informed me that the version of
(Night Time Is) The Right Time on the Phontastic album (5:21) is longer than all known Atlantic releases (4:04): they cut out the middle part! This most probably means that the tune
was in fact taped by CBS Radio. It
may also imply that Phontastic did
not use the program copies archived by the Library of Congress for their release, but another source...
NOTE 3:
In October 1958 a few tunes from the radio recording were broadcast by French radio (INA ID PHZ08015970). In July 1959 (parts of?) this program was (were?) re-broadcast by The American Forces Radio Network in a 55-minute program titled
Newport Jazz Festival, hosted by Mitch Miller.
Photos
Rare photo (half of it) by Lee Friedlander of Ray Charles playing ("Hot Rod [The Spirit Feel]"?) at the Newport Jazz Festival on July 5, 1958; the hand is David Newman's, leading Ray to (or from?) the mic. Clipped from this Turkish magazine. More here.
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| Photo by Ted Williams. |
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I found this complete FC version later....
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| Photos by Bob Parent, from a contemporary book. |
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Single (A): Atlantic 1154, August 1957 b/w I Want A Little Girl.
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