Ray recorded this Alberto Dominguez tune only once, live, in Atlanta at the Herndon Stadium on May 29, 1959. (Charles Carpenter in 1939 added lyrics to the song, using the pseudonym Ray Charles...).
Marcus Belgrave, John Hunt - trumpet, David Newman – tenor saxophone, alto saxophone; Hank Crawford – baritone saxophone; Edgar Willis – bass; Teagle Fleming – drums.
Album: Ray Charles In Person, Atlantic 8039, May 1960 (1958).
Single (B): Atlantic 2068, 1960-07 b/w Sweet Sixteen Bars.
The taping comes from the 1958 live concert at Newport, being added to the 1959 concert in Atlanta for the In Person album.
Also listen to this earlier version by The 5 Royales (Atlantic attributed Ray with the writing credits...).
Studio:
The database of the Atlantic vaults also mention an un-issued studio take (master # 3364) of the song, taped at the What'd I Say-session of 18 February 1959 in New York (with David Newman - as, ts; Hank Crawford - bs; Milt Turner - d; Edgar Willis - b; plus The Raelettes and unidentified "others").
Single (A): Atlantic 1180, March 1958, b/w I Had A Dream.
Album: Yes Indeed, Atlantic 8025, October 1958.
Recorded in New York on 20 February 1958 with Marcus Belgrave, Lee Harper - tp; David Newman - ts, as; Emmett Dennis - bs; Edgar Willis - b; Richie Goldberg - ds; The Raelettes - backing vocals. Yes Indeed was one of the few secular songs that was reworked into a gospel: by Professor Harold Boggs, released as When It Hits You (Nashboro 45-647) in 1959.
This was Ray Charles' first unintended live album, recorded with one single mike, high above the stage, in Atlanta at Morris Brown College's Herndon Stadium on 29 May 1959, at radio station WAOK's 5th anniversary celebration. It was in fact one of the first open air music festivals in history: Ray was co-billed with Roy Hamilton, B.B. King, The Drifters, Buddy Johnson, Ruth Brown, Johnny Adams a.o.
Though DJ Zenas Sears only wanted to use bits of the recording to advertise other live concerts, Atlantic's Jerry Wexler convinced Ray to put out this 'accidental' live recording in 1960 (for the taping circumstances at the concert, read liner notes below).
Personnel: Musicians: Marcus Belgrave, John Hunt - trumpet, David Newman – tenor saxophone, alto saxophone; Hank Crawford – baritone saxophone; Edgar Willis – bass; Teagle Fleming – drums. The Raelettes: Margie Hendricks, Pat Lyles, Darlene McCrea. Yes Indeed was recorded live at the Newport Jazz Festival on July 5, 1958, with Lee Harper in stead of John Hunt on trumpet and Richie Goldberg in stead of Teagle Fleming on drums.
Album: Ray Charles - In Person, Atlantic 8039, May 1960 (1959).
"If it's really something good that was not on the record, that's okay, because when I perform I can make the performance of the song better than the record was."
The Genie
Ray Charles at the Apollo (Apr. or maybe Oct. 1959), working on his Wurlitzer. Photo by Alex Harsley.
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About
The Ray Charles Video Museum is a research project, documenting live performances by The Genius.
This blog is above all aMediagraphy. It's also a discography (or, more correctly, a trackography), aggregating all tunes that Ray sang and/or played - including the "canon" of 700 tracks listed on the official Ray Charles website, but also identifying the songs that have never been officially released, and e.g. the recordings of other artists, where Ray backed them on piano. Thirdly, this blog has evolved into a multimedia Chronology (click the years in the panel al the top of this page) of Ray's productive live.
I also try to do some justice to the more than 1,000 great musicians and singers who contributed to Ray's career (1, 2).
The Quotes page lists the wisest, craziest and funniest things that the Genius ever said. If you want to read more about Brother Ray, go here.
The availability of the streaming video and audio content on this blog is constantly under pressure. Some rights owners still think that sharing these videos damages their sales. I'm keeping disfunctional clips as placeholders - to show that the footage exists, and to replace them when new uploads appear on the Web.
The articles in this blog are continuously updated and improved. Your help is more than welcome.
The Bishop seduces the world with his voice
Sweat strangles mute eyes
As insinuations gush out through a hydrant of sorrow
Dreams, a world never seen
Mounded on Africa's anvil, tempered down home
Documented in cries and wails
Screaming to be ignored, crooning to be heard
Throbbing from the gutter
On Saturday night
Silver offering only,
The Right Reverend's Back in Town
Don't it make you feel all right?