January 1951
Rhythm Room, Dallas.
Review in Cashbox, Mar. 31, 1951. |
What 'charting' looked like. From Cashbox, Apr. 21, 1951. |
First known application of this portrait photo of Ray Charles. |
9 March 1951
With Lowell Fulson and his orchestra at Labor Temple in Minneapolis.
24 March 1951
Municipal Auditorium, Charleston (WV).
30 March 1951
Billed as Boogie Woogie Blind Pianist in a "Battle of Bands 5 Star Show" (with Joe Morris, Little Laurie Tate, Lowell Fulson, Bill Mitchell) at the Mosque in Richmond VA.
Spring and Summer 1951
City Auditorium, Atlanta ("The most stupendous show ever presented", "The gfreatest array of stars ever assembled on the same stage") with Dinah Washington, Earl Bostic, Clarence Gatemouth Brown, Melvin Smith, Lowell Fulson, Dr. Willie Jones, Tommy Brown, Titus Turner, Ray Sneed, Billie Wright and his Floor Show, floor shows from the Poinciana and Royal Peacock.
From Atlanta Daily World, April 8. |
Review in Cashbox, Jun. 23, 1951. |
Ad in Cashbox, Jun. 9, 1951. |
3 July 1951
"A bombshell of entertainment" and "a star spangled ramble" at City Auditorium, Atlanta ("Lowell Fulson and his crew will be spotlighted by the bluesy renditions of Ray Charles", "Singing 'Baby Let Me Hold Your Hand'", "will be heard in 'Blue Shadow' and 'Everyday I Have The Blues'"); Amos Milburn headlining, also with Mari Jones, Lloyd Glenn, Johnny Moore's Three Blazers Band, Floyd Dixon, Oscar Moore and Jackie Brenston. Meets David Fathead Newman, who played in Glenn's band, around this date.
From Atlanta Daily World, Jul. 1. |
15 July 1951
Paradise Auditorium/Public Hall in Cleveland with Lowell Fulson for a "dawn dance engagement" on a Sunday morning.
16 - 22 July 1951
11 August 1951
Club Desire, New Orleans LA, with Lowell Fulson, Joe Pollock.
5 to 6 or 7 September 1951
Headlining at Royal Peacock in Atlanta; with Jimmy Lott.
Review in Cashbox, Sep. 15, 1951. |
Arch Ballroom in Monessen, with Lowell Fulson.
14 October 1951
With Lowell Fulson at Elks' Patio in Redwood City.
Earliest known handbill.
(It's a bit suspect that such an ephemeral piece of printing has survived; I'm not sure it's genuine - BS).
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