|This poster, on display at the Chicago Blues Museum, has too many anachronisms to be genuine - with a Ray portrait from the mid '50s, hits from the early '60s, a Raelettes line-up from 1966, and a film ([The] Gambler Wore A Gun] from 1961...|
(Some time in the middle of the decennium, Ray was filmed performing What'd I Say; the footage was used in a 1979 documentary series; see this).
|Awarding prozes at beauty & talent contest in Baton Rouge (from Jet, June '66).|
|Clydie King, Gwen Berry, Merry Clayton, Ray Charles.|
|Recording at RPM in Los Angeles. Photos by Bill Ray.|
|RPM office in LA. Photos by Bill Ray.|
|Portrait by Bill Ray.|
|On the band's tour bus. Photos by Bill Ray. Charles rarely traveled by bus, but it looked good in Life.|
|With sons Robert and David.|
|Ray Charles on tour bus. Photos by Bill Ray (not sure about color pics).|
|From 1967 concert souvenir brochure; photos credited to Life magazine [= Bill Ray].|
|In Mexico, with Javier Batiz.|
|Backstage with Eric Burdon and other Animals. Photo(s?) by Bill Ray.|
Crying Time peaks at #6 on Pop Chart and #5 on R&B, Together Again at #19 on Pop and #10 on R&B, Let's Go Get Stoned at #31 on Pop and #1 on R&B, I Chose To Sing The Blues at #32 on Pop and #22 on R&B, Please Say You're Fooling at #64 on Pop, I Don't Need No Doctor at #72 on Pop and #45 on R&B.
Crying Time album peaks at #15, Ray's Moods at #52 on Pop Album Chart.
|This picture appears to be from the same shoot.|
|Many similarities in this pic, but (cf. gray hair) it may be from c 1969/70.|
|Unknown concert, backstage. Photos by Bill Ray (perspectives slightly corrected, and cropped).|
|Five photos above by Bill Ray, at unidentified concerts.|
|Four photos above by Bill Ray: travelling by bus.
|Ray in the cockpit of his plane; photo by Bill Ray (perspective corrected, cropped).|
Ft. in home-produced commercials for Coca Cola. See this.
Release of albums Crying Time, and (Ray Charles Presents The) Raeletts, Yesterday...Today...Tomorrow. March 1966 Pre-tour band rehearsals at RPM. Release of the single Together Again / You're Just About To Lose Your Clown.
|Ad in Billboard, Mar. 12.|
Renews contract with ABC.
|From Billboard, Oct. 15, 1966.|
On March 10 Stanley G. Robertson, staff writer of the Los Angeles Sentinel (and in 1963 freelancing as the writer - assigned by Joe Adams - of the Ray Charles biography that appeared in Ray's concert brochures) wrote about attending a 'sneak preview' (together "with a cross section of people - college students, selected members of the press, radio, and television professions here, fellow musicians and recording and promotional people, and a few just plain Ray Charles fans") of "the New Sound of The Genius".
"He has a completely new band. None of the old faces, the stars of former years, such as David 'Fathead' Newman, are with him. He has assembled a group of musicians who as a unit sound much sharper and much more cohesive than the old band. As individuals, they possess more enthusiasm, more drive, and more, as the French say, 'joie de vie' than did the old group."
15 March 1966
Grammy Award for Crying Time.
|With Ray Conniff and Joanie Sommers.|
Music Hall, Cleveland.
|From Cleveland Plain Dealer, 22 March 1966.|
Gig at Latin Casino, Cherry Hill.
|At a concert in New Jersey; photos by Steve Schapiro; possibly shot at the Latin Casino.|
|From Variety, Apr. 20.|
MSU Auditorium in East Lansing.
Around this date in April 1966
Signs new contract with Shaw Artists (now called SAC).
16 to 17 April 1966
Arie Crown Theater, Chicago; "vocalist, pianist, composer, arranger, alto sax player, and perfectionist" (gross 48,300; Charles gets 50% of the gate).
|Honored at cocktail part at the Executive House, on this photo joined by Johnny Pate (ABC Midwest A&R director, and Mrs. Lucky Cordell, wife of WVON radio program director. From Jet, May 12, 1966.|
22 – ?28? April 1966
23 April 1966
Harmon Gymnasium, UC Berkeley campus.
24 April 1966
Frost Amphitheatre, Stanford. The band played Goodness Gracious, and Watermelon Man with solos by Cliff Scott (ts) and Henry Coker (tp). Ray opened with The Genius After Hours, and sang Don't Mess Up A Good Thing with The Raelettes. (Source: San masteo Times, 25 Apr.).
30 April 1966
Release of the single Let's Go Get Stoned / The Train.
5 May 1966
Four Seasons Arena, Walpole.
"Ray Charles and his 'House of Charles' caravan of music will appear at the RPI Fieldhouse" in Schenectady. See this.
6 May 1966
Rensselaer Polytechnic Institute, Troy (gross $10,000).
7 May 1966
|From Carnegie Hall season brochure; Billy Moore's story here; more photos here.|
|Photos by Bill Ray.|
8 May 1966
Fairfield (gross $10,000).
Symphony Hall, Newark (gross $19,000).
9 May 1966
Recreation Hall, Penn State University.
16 May 1966
Southwest Missouri State College Areba, Springfield.
19 May 1966
Opera House, Seattle.
20 May 1966
Rensselaer Polytechnic, Troy (grossing $10,000).
21 May 1966
Two concerts at Carnegie Hall, New York (grossing $28,000).
Lagoon Patio Gardens, Farmington; Deseret News reporter Joe Bauman remembers "a cute Western girl in his group being turned back at the entrance to the Ray Charles concert because she was wearing jeans - it was dresses-only for women. She took off the jeans in a bathroom, buttoned up her coat and, seeming to be wearing a miniskirt, was admitted."
22 May 1966
Fairfield (Conn.; grossing $10,000).
Symphony Hall, Newark (grossing $19,000).
26 May 1966
Venox building, Ventura County ("Never have I seen such electricity generated through an audience"; read review here).
|Ad from Oxnard Press-Courier, 7 May.|
27 May 1966
Veterans Memorial Coliseum in Phoenix.
|Ad from Arizona Republic, 15 May.|
28 May 1966
At Convention Hall in
Trade ad below: "9 weeks from April 1st to June 1st... over $500,000 gross... and 20 fully booked weeks to go in 1966!!!"
28 May 1966
Masonic Auditorium, San Francisco.
1 June 1966
10 June 1966
Soundblast '66 at Yankee Stadium in
|Ad in the weekly New York Amsterdam News, Jun. 11, 1966.|
|Raelettes f.l.t.r.: Merry Clayton, unidentified, Gwen Berry, Clydie King. Photo: Don Paulsen (Michael Ochs Archives/Corbis).|
Michael Ochs/Getty photos above by Don Paulsen.
12 June 1966
Musical Theater, Oakdale.
Mid June 1966
Burial of Milt Shaw in New York (died the 12th).
13 June 1966
Shady Grove Music Fair.
16 June 1966
Integrated gig at Coliseum in Jackson (grossing $10,600).
19 June 1966
Municipal Auditorium, Nashville.
20 June 1966
|Ray Charles with autograph seekers.|
25 June 1966
McDonald Gym, Beaumont.
1 July 1966
|Ad in Cavalier magazine, July 1966.|
Release of album Ray's Moods.
Municipal Auditorium, San Antonio.
|Ad from San Antonio Light, 26 Jun.|
2 July 1966
Assembly Center, Tulsa.
4 July 1966
Municipal Auditorium, Austin.
12 to 17 July 1966
Royal Tahitian, Ontario.
23 July 1966
Convention Hall Ballroom, Atlantic City (gross 14G).
25 July 1966
Painters Mill Music Fair at Pixie Judy Musical Theatre, Baltimore.
26 July 1966
11th Lorton Jazz Festival at Lorton Reformatory; with Shirley Horn. Photo from Jet; read here.
|Ray Charles, Gwen Berry, Merry Clayton & Clydie King.|
29 July 1966
The comeback of Ray Charles, feature story in Life. Read here.
Bushnell Memorial, Hartford ("claimed a hero by jet and LSD set alike, proved he has the soul of jazz at his fingertips").
30 July 1966
Convention Hall, Asbury Park.
Release of the single I Chose To Sing The Blues / Hopelessly.
|Billboard trade ad, September 3, 1966.|
20 to 24 August 1966
Leo's Casino, Cleveland.
27 August 1966
Forest Hills Music Festival at the Tennis Stadium, New York; with 7-year old Frederick Nelson 3d opening (crowd of 9,500).
|Backstage at Forest Hills, with Stan Rubin; possibly on this date.|
Night club (former Swan Theatre) in Milwaukee ("swooning and sobbing, and puring out a lifetime of woe, put on an electrifying performance").
4 September 1966
Camden County Music Fair.
|Ad from Boston Globe, 15 Sep.|
5 September 1966
Storrowton Music Fair, West Springfield.
12 September 1966
16 September 1966
Carousel Theater, Boston.
18 September 1966
Oakdale Theatre, Wallingford.
25 September 1966
27 September 1966
Municipal Auditorium, Austin.
30 September 1966
Moody Center, Galveston.
|Ad from Galveston Daily News, 27 Sep.|
Release of the single Please Say You're Fooling / I Don't Need No Doctor.
|Ad in Billboard, Nov. 12, 1966.|
|Photos by Jan Persson.|
Georgia Coliseum, Athens.
8 October 1966
|Photo by Joe Adams.|
Municipal Auditorium, Birmingham.
15 October 1966
Grover Center, Ohio University.
|Photo review from Athens Messenger, 17 Oct.|
|Ray receives Braille copy of the Billboard special (on 1 December, from Billboard, Dec. 10).|
Ice Arena, Seattle.
22 October 1966
New Haven Arena.
23 October 1966
Kleinhans Music Hall, Buffalo.
28 October 1966
Adelbert Gymnasium at Western Reserve University.
4 November 1966
Memorial Auditorium, Utica.
6 November 1966
Auditorium in Minneapolis.
11 to 13 November 1966
Valley Music Theatre, Woodland Hills (gross $46,708).
16 November 1966
Star Theatre, Phoenix.
18 – 20 November 1966
|From Chicago Tribune, Nov. 13.|
Walter Sillers Coliseum, Delta State College, Cleveland.
22 November 1966
22 to 27 November 1966
Westbury Music Fair.
25 November 1966
End of November 1966
A few college gigs in
And a concert in
1 December 1966
Receives Braille copy of Billboard special, in New York City (see sub Oct. 15, above).
4 December 1966
Symphony Hall, Newark.
6 December 1966
16 December 1966
Civic Auditorium, Albuquerque.
17 December 1966
A Christmas program at the Las Vegas Convention Center.
Rest of December 1966
Home in LA.
Recording In The Heat Of The Night at RPM, with
31 December 1966
|The brown poster (top) looks authentic, but the full color poster certainly does not - the photo of Ray is of much later date.|
|Ad from Seattle Times, 31 Dec.|
The Raelettes in concert, somewhere in the UK. Licensed by Corbis, who date this pic in 1965.
|Note the cigaret.|
|Photo series by Maurice Seymour (= Maurice & Seymour Zeldman).|
|Rare publicity photo of The Raelettes. Clockwise, from top: Merry Clatton, Clydie King, Gwen Berry, Lilian Fort.|
Publicity photo of the Raelettes. Clockwise, from top: Merry Clayton, Clydie King, Gwen Berry and Lilian Fort. Photo by John E. Reed, Hollywood); licensed by Corbis, who date this shoot in 1965.
|Photo by Maurice Seymour (= Maurice & Seymour Zeldman). Clockwise: Ray Charles, Clydie King, Gwen Berry, Alex Brown, Merry Clayton.|
Same photo, in an often seen cropped version, as licensed by Corbis
|From left to right: Gwen Berry, Merry Clayton, Clydie King, Alex Brown. Photos by Maurice Seymour.|
|From left to right Alex Brown, Merry Clayton, Ray Charles, Gwen Berry. Photo by Maurice Seymour.|
From a UK Magazine. From left to right: Alex Brown, Merry Clayton, Gwen Berry, Clydie King. Photo by Maurice Seymour.
Clockwise, starting left: Alex Brown, Clydie King, Gwen Berery, Merry Clayton. Photo by Maurice Seymour.
Top to bottom: Clydie King, Merry Clayton, Alex Brown, Gwen Berry. Photo by Maurice Seymour.
From a Dutch newspaper (1970).
From a UK concert souvenir brochure (Sep. 1969).
|Next to Ray: left Susaye Greene, right Mabel John.|
|Three photos from 1967 concert souvenir brochure, probably taken at Ray's home in Beverley Hills (the last picture is from March 1965, at ABC in New York).|
|At the RPM office in Los Angeles (reproduced from 1967 concert souvenire brochure).|
|Recording at unidentified studio, possibly in 1966 (reproduced from 1967 concert souvenire brochure).
|At unidentified venue, possibly in 1966 (reproduced from 1967 concert souvenire brochure).|