Goodness Gracious is a nice riff turned into a rocking big band ditty. Ray Charles called the tune only so now and then, but it stayed on the repertoire of the Orchestra well into the 1990s.
Taped twice, at the 1967 Berlin concert(the best of the two surviving recordings), with Barry Rillera taking excellent care of the dominant guitar parts, and once in a 1996 concert at the Deep Hollow Ranch in Montauk.
Ray Charles (on piano) and his band are on Clydie King's one-off Tangerine recording of this song, which wasn't released until 2007, as part of Clydie King - The Imperial & Minit Years, from a previously unreleased Tangerine master taped in 1968 (session info here).
Photo from concert in Milan, during the same tour.
The year 1967 has long been a barren time zone in the history of documented live performances by Ray Charles. Only recently, I was happily surprised to find a (partial) copy of a concert in Paris, on 18 April 1967, in my inbox - even though the quality of these soundfiles was even a little worse than just bad.
Milan concert, April '67.
But an other follower of this blog has just provided me with an even bigger surprise, entailing not only a couple of better copies of tunes from aforementioned concert in Paris, but also from two complete concerts in Berlin and Frankfurt.
The concert in Berlin took place on 3 May 1967, at the Sport Palast. My guess is that the Frankfurt show, just like in other German tours of the Ray Charles group, came right after that - probably in the The concert took place at the Höchst Jahrhunderthalle on April 29. just like the year before and the year after.
I don't know by whom the concerts were taped, but the story is that both concerts were originally produced for radio broadcasting. The sound quality of both copies is mediocre, but just acceptable.
Personnel
The personnel was probably identical to the line-up in Paris, with the exception of Billy Preston (whose B3-moans on Going Down Slow were replaced by Rillera's electric guitar). Musicians: Marshall Hunt, Walter Miller, Carl Adams, Bill King - trumpet; Henry Coker, Fred Murrell, Donald Cook, Keg Johnson - trombone; Joe Roccisano, Curits Peagler, Curtis Amy (bandleader), Shellie Thomas, Leroy Cooper - saxophone; Billy Moore - drums; Barry Rillera - guitar; Edgar Willis - bass. The Raelettes: Merry Clayton, Alexandra Brown, Clydie King, Gwen Berry.
Berlin setlist:
Intro
Instrumental
Goodness Gracious*(guitar solo Barry Rillera)
Soft Winds
I've Got A Woman
Georgia On My Mind
Hallelujah I Just Love Her So
You Made Me Love You (I Didn't Want To Do It)
Going Down Slow (guitar solo by Barry Rillera)
Hold On, I'm Coming (The Raelettes)
One Hurt Deserves Another (The Raelettes)
Shake (The Raelettes)
Don't Set Me Free (ft. Merry Clayton)
Crying Time (with Gwen Berry)
If You Love Me Like You Say (ft. Clydie King)
I Can't Stop Loving You
I Don't Need No Doctor
Baby, It's Cold Outside (ft. Alex Brown)
Let's Go Get Stoned
You Are My Sunshine (ft. Merry Clayton)
What'd I Say
Outro
'67 LC Berlin - I Don't Need No Doctor (soundclip):
'67 LC Berlin - What'd I Say (soundclip):
Frankfurt setlist:
Intro
Instrumental
I've Got A Woman
You Made Me Love You (I Didn't Want To Do It)
Going Down Slow
Soft Winds
Don't Set Me Free (ft. Merry Clayton)
Crying Time (ft. Gwen Berry)
What'd I Say
Outro
The #1 instrumentals at both concerts were the same tune. The #2 track of the Berlin concert is Goodness Gracious, a rocking tune dominated by Rillera's marvelous guitar playing (the origin of the song is so far unknown; it was rarely called by Ray, but it stayed on the band's repertoire well into the '90s).
So far, the only known live version of Soft Winds was from the Pleyel concert in 1968. The Raelettes vehicle One Hurt Deserves Another was so far only known from their Tangerine album Souled Out(from 1971). If You Love Me Like You Say is the only known live recording by the Ray Charles band of this Little Johnny Taylor tune (Ray, Clydie and the band in 1968 also taped in the studio, but the Tangerine master was only found back about 40 years later; it came out in 2007, as part of Clydie King - The Imperial & Minit Years;Stateside EMI 5099950958122, 2007).
Maybe the biggest gem is Let's Go Get Stoned, so far only known in just a few live versions.
On December 20, 1967, the radio and TV guide page of the Friese Koerier, a Dutch newspaper, listed a one-hour show with Ray Charles, to be aired by the second German network (ZDF) with the Dutch title De wereld van de jazz (the world of jazz), "a recording made in Frankfurt".
I have a strong feeling that the Hit The Road Jack-clip below, which I still haven't properly identified or dated, is from 1967. Does anybody have a clue when and where it was taped?
* Title of this instrumental kindly provided by Dave Hoffman and Peter Turre. The tune was still part of the Orchestra's book during the '80s and '90s.
"If it's really something good that was not on the record, that's okay, because when I perform I can make the performance of the song better than the record was."
The Genie
Ray Charles at the Apollo (Apr. or maybe Oct. 1959), working on his Wurlitzer. Photo by Alex Harsley.
Best browser width to read this blog - keep blog title on 1 line.
Subscribe to Soul Bag!
The Best R&B Magazine In The World.
Friends' Quotes
About
The Ray Charles Video Museum is a research project, documenting live performances by The Genius.
This blog is above all aMediagraphy. It's also a discography (or, more correctly, a trackography), aggregating all tunes that Ray sang and/or played - including the "canon" of 700 tracks listed on the official Ray Charles website, but also identifying the songs that have never been officially released, and e.g. the recordings of other artists, where Ray backed them on piano. Thirdly, this blog has evolved into a multimedia Chronology (click the years in the panel al the top of this page) of Ray's productive live.
I also try to do some justice to the more than 1,000 great musicians and singers who contributed to Ray's career (1, 2).
The Quotes page lists the wisest, craziest and funniest things that the Genius ever said. If you want to read more about Brother Ray, go here.
The availability of the streaming video and audio content on this blog is constantly under pressure. Some rights owners still think that sharing these videos damages their sales. I'm keeping disfunctional clips as placeholders - to show that the footage exists, and to replace them when new uploads appear on the Web.
The articles in this blog are continuously updated and improved. Your help is more than welcome.
The Bishop seduces the world with his voice
Sweat strangles mute eyes
As insinuations gush out through a hydrant of sorrow
Dreams, a world never seen
Mounded on Africa's anvil, tempered down home
Documented in cries and wails
Screaming to be ignored, crooning to be heard
Throbbing from the gutter
On Saturday night
Silver offering only,
The Right Reverend's Back in Town
Don't it make you feel all right?