Ray Charles was one of the soul & blues singers starring in the music comedy The Blues Brothers, a film directed by John Landis (original story written by Dan Aykroyd), and released by Universal Pictures on 16 June 1980.
The tag line was "They'll never get caught. They're on a mission from God." Jake (Belushi) and Elwood (Aykroyd) are the former front men of a broken down blues band which disbanded after Jake was arrested several years before. Upon his release, he discovers that his boyhood orphanage home is about to be foreclosed upon for non-payment of property taxes. Beaten up by a nun, sung to by James Brown, and touched by God, Jake sees the light and seeks to put the band together for one last show - a charity benefit to save the orphanage.
Their journey takes them from James Brown to Aretha Franklin to Ray Charles to John Lee Hooker to Cab Calloway.
In Scene 20 Ray plays Ray, the owner of Ray's Music Exchange, a pawn shop in Calumet City (cf. this).
Jake, Elwood, and the Blues Brothers Band visit the shop to buy some new equipment. The characters in this scene are 'Joliet' Jake Blues, Elwood Blues, Ray, 'Duck' Dunn, Alan 'Mr Fabulous' Rubin, Lou 'Blue Lou' Marini, Matt 'Guitar' Murphy, Murphy 'Murph' Dunne, Steve 'The Colonel' Cropper, Tom 'Bones' Malone, Willie 'Too Big' Hall, and the Young Guitar Thief.
I assume the song was recorded in the sound studio (see B&W photos below), and therefore that Ray and 'the band' playbacked the song. (On Tail Feather you can also hear a bari player, while there was none on the film set).
The scene was filmed at Universal Studios Soundstages and Shelley's Loan Co (at 300 E. 47th, Chicago IL; coordinates: 41.80929852285026, -87.61956233877473. The dancers weren't hired - they just got off the train and started to boogie. The scene cost $600,000 to produce.
Clipping from Billboard, 13 September 1980.
Ray: Pardon me, but we have a strict policy concerning the handling of the instruments. An employee of Ray's Music Exchange must be present. Now, may I help you? Murph: Tell me a little about this electric piano, Ray. Ray: Ah, you have a good eye, my man. That's the best in the city Chicago. Jake: How much? Ray: 2,000 bucks and it's yours. You can take it home with you. As a matter of fact, I'll throw in the black keys for free. Jake: $2,000 for this chunk of shit? C'mon, Ray. Murph: I mean really, Ray, it's used. There's no action left in this piano. Ray: E-excuse me, uh, I don't think there's anything wrong with the action on this piano [launches into Shake A Tail Feather].
Ray's original text in the shooting sequence: Breaks my heart to see a boy that young goin' bad. Footage here.
At the closing of the film, as each character is credited, Ray, accompanied by the Blues Brothers Band, contributes a line to Jailhouse Rock: "Let's rock, everybody, let's rock" (just as James Brown, Cab Calloway, and Aretha Franklin):
The Blues Brothers' soundtrack album was released by Atlantic (SD 16017, June 20, 1980). A few tunes, including Tail Feather were also released as singles. Atlantic also released Tailfeather as a single (K 11615; backed with Cab Calloway's Minnie The Moocher).
Shake A Tail Feather:
The song was originally recorded in 1963 by The Five Du-Tones:
But the arrangement in the film was based on this version by James and Bobby Purify:
Scenario reconstruction (inc. spelling errors).
For the Billboard #1 live album Briefcase Full Of Blues (Atlantic, 1978) that preceded the film see this.
"If it's really something good that was not on the record, that's okay, because when I perform I can make the performance of the song better than the record was."
The Genie
Ray Charles at the Apollo (Apr. or maybe Oct. 1959), working on his Wurlitzer. Photo by Alex Harsley.
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About
The Ray Charles Video Museum is a research project, documenting live performances by The Genius.
This blog is above all aMediagraphy. It's also a discography (or, more correctly, a trackography), aggregating all tunes that Ray sang and/or played - including the "canon" of 700 tracks listed on the official Ray Charles website, but also identifying the songs that have never been officially released, and e.g. the recordings of other artists, where Ray backed them on piano. Thirdly, this blog has evolved into a multimedia Chronology (click the years in the panel al the top of this page) of Ray's productive live.
I also try to do some justice to the more than 1,000 great musicians and singers who contributed to Ray's career (1, 2).
The Quotes page lists the wisest, craziest and funniest things that the Genius ever said. If you want to read more about Brother Ray, go here.
The availability of the streaming video and audio content on this blog is constantly under pressure. Some rights owners still think that sharing these videos damages their sales. I'm keeping disfunctional clips as placeholders - to show that the footage exists, and to replace them when new uploads appear on the Web.
The articles in this blog are continuously updated and improved. Your help is more than welcome.
The Bishop seduces the world with his voice
Sweat strangles mute eyes
As insinuations gush out through a hydrant of sorrow
Dreams, a world never seen
Mounded on Africa's anvil, tempered down home
Documented in cries and wails
Screaming to be ignored, crooning to be heard
Throbbing from the gutter
On Saturday night
Silver offering only,
The Right Reverend's Back in Town
Don't it make you feel all right?