Birth Of A Big Band: Ray Charles' October 1961 Concerts In Paris

David Newman

Hank Crawford.

Don Wilkerson.

John Hunt.

Phil Guilbeau.

Keg Johnson.

Leroy Cooper.

Sonny Forriest.

Bruno Carr.

In 1961 Ray Charles conquered France. End of July he was the "artist in residence" (as we would now call it) at the Antibes festival, where he performed with his "small big band" (although he had established his first big band in the U.S., and had toured with it, in the spring of '61). The French national broadcasting organization, ORTF, followed everything with film & sound teams, making Ray's shows the subject of a series of broadcasts over TV and radio. The combined film/sound results are the source of the DVD Ray Charles Live In France 1961.
That "In France"-part of the DVD's title certainly is a bit too expansive. Because if the July 1961 Antibes concerts represent the Holy Grail of Ray Charles' live history, then the October 1961 Paris concerts surely represent the Nibelung Treasure of raycharlesiana.

Soon after his triumph in Antibes, Ray returned to Europe and France, from 18 to 24 October 1961, for concerts in Zurich (18th), Lyon (19th), and four days of shows with his new big band at the (then new) Palais des Sports in Paris (21st - 24th). The ORTF radio station France Inter send a crew to tape these concerts.
The recordings have survived, in several forms. Within the live-music part of Ray Charles' total body of work their importance (on the levels of quality, quantity, and uniqueness) is only equaled by the Antibes 1961 footage.

These two series of gigs definitively established Charles' fame in France, where he not only became the #1 bestselling jazz artist for many years to come, but also a seasonal phenomenon, who would be warmly welcomed to the country's biggest venues and festivals almost every year for the next 40 years, through the years consistently covered by French radio and TV, and reaching a fame and status that matched the appreciation for the most famous local chanteurs.

Some mute footage of Ray's landing on Orly Airport:

In this news clip (broadcast by TF-1 on October 19th),  interviewer Gilbert Lauzun aks Ray if he plans to come back to France more often, "when you are older". Even better than that, Ray answered, "I plan to buy a villa at the French Rivièra":


The concert series
The Ray Charles troupe gave a series of 7 concerts at the Palais des Sports in Paris in October 1961:

• The evening of Friday, October 20th
• The evening of Saturday, October 21st
• The afternoon of Sunday, October 22nd
• The evening of Sunday, October 22nd
• The evening of Monday, October 23d
• The evening of Tuesday, October 24th
• Unknown date and time: according to one trustworthy testimony, Ray Charles gave a 7th concert, exclusively for U.S. troops stationed in France (the same eye witness remembered that Ray also played alto saxophone during this concert).

The concerts on the 23d and 24th were scheduled after the first four shows sold out. Contemporary industry magazines counted that the total series attracted a record-breaking total of 35,000 people (70% of them in the age group 16 to 20, a magazine concluded).

From the souvenir program of the concert series, with some (not unusual) errors in the personnel listing (collection Joël Dufour).

All in all, these 1961 big band concerts are as magnificent as the legendary 1964 Shrine live concert, but the number of tunes (and versions) is much bigger. And one could argue that the October 1961 concerts caught Ray Charles at the real pinnacle of his creativity. The sound of the band was very much the same as on the 1960 album Genius + Soul = Jazz, from which he took I'm Gonna Move To The Outskirts Of Town and I've Got News For You, plus the instrumentals From The Heart, Moanin' and One Mint Julep. This album atmosphere was further enhanced by Ray's own - brilliant - (Hammond) organ playing.
But Ray went back to other parts of his 'back catalog' as well. He performed a number of tunes from his Atlantic years (Hallelujah I Love Her So, Yes Indeed, I Believe To My Soul, My Bonnie, What'd I Say, Alexander's Ragtime Band, Let The Good Times Roll, Just For A Thrill, Come Rain Or Come Shine), and he selected a nice set of songs from his recent recordings for ABC (Georgia On My Mind, Sticks And Stones, My Baby, Margie, I Wonder, Hit The Road Jack).
For the instrumentals he gratefully borrowed from the book of the Quincy Jones Big Band (Birth Of A Band, Moanin', etc.), and from Hank Crawford's early 1960s albums. The big band charts for Come Rain Or Come Shine, Georgia On My Mind and Just For A Thrill were newly written, on Ray's special request, by Quincy Jones. (Jones, after returning from Europe in 1960, where his big band went virtually bankrupt, in one of the most generous gestures in the history of modern music, had given his band's book (today hopefully still present in the vaults of the Ray Charles Foundation) to Ray.
My personal favorite is one of the alternate renditions of Come Rain Or Come Shine. It's really sensationally bluesy. Ray introduces and then afterwards thanks Don Wilkerson by name (an honorary treatment that only Johnny Coles was entitled to in later years, every time he did his solos on Am I Blue...).
The Paris audience clearly recognized most tunes, the old and the newer ones, and they abundantly showed their appreciation, adding the required delicious live flavor to the tapings.

Tapes, broadcasts and record releases
Three of the concerts were recorded by R.T.F. (Radiodiffusion Télévision Française) on mono 38 speed reel-to-reel audio tapes. These recordings are now held, in digital formats, by INA (Institut National de l’Audiovisuel), the French national Radio and TV archive. All concerts started - as they would until the end - with his band playing a set of instrumentals; Ray stepped on stage to join them on One Mint Julep, and a few more instrumentals. The Genius was joined by The Raelettes starting at the performance of Alexander's Ragtime Band.


A. Concert of Saturday October 21, 1961, evening
Original tape INA ID LVZA/13; current ID PHZ07013245.
Tracks from this concert were broadcast by Paris Inter on October 22, in the Jazz sur Scène series, presented by André Francis.

Intro band (by André Francis)

1.      Happy Faces (The Ray Charles Orchestra; solo: DN - ts)

2.      Ghana Stockholm Sweetnin’ (The Ray Charles Orchestra; solos: LC - bs, SF - g)

3.      Birth Of A Band (The Ray Charles Orchestra; chase: DN and DW - ts)

4.      Roll In G (The Ray Charles Orchestra; solos SF - g, David Newman - fl, Don Wilkerson - ts; Hank Crawford - o)

5.      Along Came Betty (The Ray Charles Orchestra; solo: MB - tp)

Intro Raeletts, Ray Charles (by André Francis)

6.      One Mint Julep (With The Ray Charles Orchestra)

7.      From the Heart (With The Ray Charles Orchestra)

8.      Moanin’ (With The Ray Charles Orchestra; solo: PG - tp)

9.      Let The Good Times Roll (solo: DN - ts)

10.  Georgia On My Mind (solo: DN - fl)

11.  Hallelujah I Love Her So (solo: DW - ts)

12.  Just For A Thrill (solo: PG - tp)

13.  Margie (solo: RC - o)

Intro Raeletts (by RC)

14.  Alexander’s Ragtime Band (solo: MB - tp)

15.  I Believe To My Soul

16.  My Bonnie (solo: DN - ts)

17.  I Wonder

18.  Sticks and Stones

19.  My Baby (I Love Her, Yes I Do) (ft. Margie Hendrix)

20.  Hit The Road Jack

21.  Come Rain Or Come Shine (solo: DW - ts)

22.  What’d I Say

23.   What’d I Say (Reprise)

 Outro (Pop Goes The Weasel)

B. Concert of Sunday October 22, 1961, afternoon
Original tape INA ID LVZA/14, 15; INA ID: PHZ07003992; tape ID: 2007INA08505PC0058_01 (duration 1:11:39) + 2007INA08505PC0058_02 (45:10:09).
A selection of tracks from this concert were broadcast by Paris Inter on October 29, in the Jazz sur Scène series, presented by André Francis (freely available via the INA website). The complete concert was aired by Paris Inter on April 13, 1962.
In March 2013 the contents of this latter broadcast were made available, in its entirety, for download to the general public on the INA website, against a small charge.
Through this release, the Ray Charles Orchestra recordings of Happy Faces (penned by Sonny Stitt), Whisper Not (Benny Golson), Dat Dere (Bobby Timmons), Ghana (Ernie Wilkins), Along Came Betty (Benny Golson), (In My) Solitude (Duke Ellington) in an arrangement by Quincy Jones, and Roll In G (probably written by Ray Charles) were made available to the public for the very first time.

Intro band (by André Francis)

1.       Happy Faces (The Ray Charles Orchestra; solo: DN - ts)

2.       Whisper Not (The Ray Charles Orchestra; solo: DN - ts)

3.       Dat Dere (The Ray Charles Orchestra; solo: HC - as)

4.       Ghana (The Ray Charles Orchestra; solos: LC - bs, SF - g)

5.       Along Came Betty (The Ray Charles Orchestra; solo: MB - tp)

6.       (In My) Solitude (The Ray Charles Orchestra) (solo: DW - ts)

7.       Birth Of A Band (The Ray Charles Orchestra; chase: DN and DW - ts)

8.       Roll in G (The Ray Charles Orchestra; solos SF - g, DN - fl, DW - ts; HC - o)

9.       Ray Minor Ray (The Ray Charles Orchestra; solos: DN, DW - ts, MB, PG - tp)

Intro RC (by André Francis)

10.   One Mint Julep (With The Ray Charles Orchestra)

11.   Doodlin’ (With The Ray Charles Orchestra; solos: RC - o, PG - tp, DN - ts, LC - bs)

12.   From the Heart (With The Ray Charles Orchestra)

13.   Hallelujah I Love Her So (solo: DW - ts)

14.   Georgia On My Mind (solo: DN - fl)

15.  Margie (solo: RC - o)

16.   I’ve Got News For You

17.   Moanin’ (With The Ray Charles Orchestra; solo: PG - tp)

Intro Raeletts (by RC)

18.   Alexander’s Ragtime Band (solo: MB - tp)

19.   I Believe To My Soul

20.   My Bonnie (solo: DN - ts)

21.   I Wonder

22.   Yes Indeed

23.   My Baby (I Love Her, Yes I Do) (ft. Margie Hendricks)

24.   Hit The Road Jack

25.   I’m Gonna Move To The Outskirts Of Town (solo: PG - tp)

26.   What’d I Say

The tracks below that are marked with an asterisk (*) were provided to Italian RAI Radio by Radio France in 1981, as a consequence of an exchange program. They are currently only known from a copy circulating among Ray Charles fans.
The other tracks in this list were part of the same tapes, and are best known  from the Italian CD Ray Charles In Paris LIVE (Isabel BJ001CD), which was sold with an issue of Blue Jazz magazine. This CD was the origin of a bunch of subsequent bootleg CD releases.

1. Happy Faces (The Ray Charles Orchestra; solo: DN - ts)*
2. Along Came Betty (The Ray Charles Orchestra; solo: MB - tp)*
3. Ghana (The Ray Charles Orchestra; solos: LC - bs, SF - g)*
4. Blue Stone (The Ray Charles Orchestra; solos: HC - as, PG - tp, LC - bs)*
5. Dat Dere (The Ray Charles Orchestra; solo: HC - as)*
6. Birth Of A Band (The Ray Charles Orchestra; chase: DN and DW - ts)*
7. Whisper Not (The Ray Charles Orchestra; solo: DN - ts)*
8. One Mint Julep (With The Ray Charles Orchestra)*
9. Doodlin’ (With The Ray Charles Orchestra; solos: RC - o, PG - tp, DN - ts, LC - bs)*
10. Moanin’ (With The Ray Charles Orchestra; solo: PG - tp)*
11. Let The Good Times Roll (solo: DN - ts)
12. Come Rain Or Come Shine (solo: DW - ts)
13. Hallelujah I Love Her So (solo: DW - ts)
14. I’m Gonna Move To The Outskirts Of Town (solo: PG - tp)
15. Margie
16. Georgia On My Mind (solo: DN - fl)
17. Alexander’s Ragtime Band (solo: MB - tp)
18. I Wonder
19. My Bonnie (solo: DN - ts)*
20. My Baby (I Love Her, Yes I Do (ft. Margie Hendricks)*
21. Hit The Road Jack
22. I Believe To My Soul
23. What’d I Say

Release history
Some time in the 1990s the obscure Italian magazine Blu Jazz was able to surprise their readership with a sealed-in premium pressing to one of their editions, under the title Ray Charles In Paris - Live; Palais Des Sports 22 Ottobre 1961, issued on the Isabel label. It presented 12 tracks.

Later, the same content was the subject of a whole slew of bootleggish (re-)releases. In their series "The Golden Age Of Jazz", a slightly less obscure Italian label, Suisa, brought their 10th CD, X. Ray Charles - Genius + Soul = Jazz. Live! (JZCD 310; also released on cassette tape JZMC 310), to the collectors' market. This CD got a much wider distribution, and is still for sale through several web shops (frequently also through Amazon UK - ASIN: B00004VOE1 - where SBA is currently mentioned as the record label).

Then there is a CD titled Ray Charles - Paris '66, and subtitled Ray Charles - Palais des Sports - Paris - October 22, 1966. The wrong year probably was an attempt to obscure the source of this release. 

In June 2013 the little known record label Body & Soul re-released the same materials as a download-and-streaming-audio only digital album, titled Ray Charles - Live In Paris; October 22, 1961. In 2014 the Frémeaux label re-released the Body & Soul selections in a 3-CD set under the title Ray Charles - Live In Paris 20-21 Octobre 1961 / 17-18-20-21 Mai 1962 (FA5466).

BD Music in France released a Ray Charles 2-CD in their BD Blues series (23 September 2010; BDBL194 - BD100, EAN : 9782849071946; don't miss this nice clickable brochure). It contained two of the formerly unknown tracks from the October '61 concert(s) in Paris (INA ID LP5963-E):

• Yes Indeed
• My Baby (I Love Her, Yes I Do)

An incidental alternate version of What'd I Say, taped at one of the other October concerts, was released on the LP Europa Jazz (various artists; EJ 1001; Amazon ASIN nr B0030FEOR2), which also contained an October 1961-version of Come Rain Or Come Shine.

What'd I Say was also released on The Ray Charles Collection (DéjaVu, CD 2005), and  on an 'old' vinyl LP, I Giganti Del Jazz 1, which - as good as sure from the same concert(-series?) - also contained Georgia.

Personnel
Musicians: Marcus Belgrave, Wallace Davenport, Phil Guilbeau - trumpets; John Hunt - flugelhorn; Henderson Chambers, Leon Comegys, James Lee Harbert, Keg Johnson - trombones; Hank Crawford (alto saxophone, organ on Roll in G, band leader), Rudy Powell - alto saxophone; David Newman - tenor saxophone, flute; Don Wilkerson - tenor saxophone; Leroy Cooper - baritone saxophone; Bruno Carr - drums; Sonny Forriest - guitar; Edgar Willis - bass. The Raelettes: Priscilla “Pat” Moseley Lyles, Margie Hendricks, Gwen Berry, Darlene McCrea.

Documentation

Clipping from the Chicago Defender, Oct. 28, 1961. The band embarking for Europe in mid October, from Idlewild Airport. 

From Jazz Hot, Dec. 1961. Marcus Belgrave stepping forward for a trumpet solo.

From Jazz Magazine 77, Dec. 1961.

Photos of individual members of Ray's band are extremely rare, but the series reproduced at the top of this article (from contemporary magazine articles in Jazz Magazine and Jazz Hot) even include a number of excellent close-ups. The photographer of most or all of these pics was J.P. Leloir.
Here come the most interesting remaining pics:

Sax section with David Newman, Rudy Powell, Don Wilkerson, Leroy Cooper.

Cover of Jazz Magazine 77, Dec 1961 (collection J.P. Verger).

Clipping from unidentified magazine.

From a photo print, dated 24 October, offered on Ebay.

Left to right: Hank Crawford - as; Ray Charles - o, voc; Edgar Willis - b; Bruno Carr - dm; Sonny Forriest - g; Rudy Powell - as, David Newman - ts, fl; Don Wilkerson - ts; Leroy Cooper - bs. Photo: Roger-Viollet/Getty.

Ray at his Hammond.

Photo by Philippe Gras, attributed by source to '68 show at La Pleyel, but it must be from one of the '61 concerts.

Photo by Hervé Gloaguen.

Getty hasn't credited any photographer for these four photos.

From a story related to Ray's drugs problems, in Ciné Revue, 1961.

From Jazz Hot, #17, Nov. 1961 (collection J.P. Verger).

From Jazz Hot, #17, Nov. 1961 (collection J.P. Verger).

The Raelettes, from right to left: Priscilla “Pat” Moseley Lyles, Gwen Berry, Margie Hendricks, Darlene McCrea  (collection J.P. Verger).

The Raelettes, from left to right: Priscilla “Pat” Moseley Lyles, Gwen Berry, Margie Hendricks, Darlene McCrea(collection J.P. Verger).

From Jazz Hot, Dec. 1961: Priscilla “Pat” Moseley Lyles, Gwen Berry, Margie Hendricks, Darlene McCrea (collection J.P. Verger).

From the legacy of Kurt Mohr - a Swiss citizen, living in Paris, who established the European jazz discography tradition as we know it today, and who, contrary to most jazz discographers, always also dealt with Blues and R&B, and became the specialist in this area - I can also present the following snap shots:

Phil Guilbeau, John Hunt, Kurt Mohr, David Newman.

Leroy Cooper and Kurt Mohr.

Kurt Mohr and Ray Charles.

And then there were a number of publicity shoots during the band's stay in Paris, some with excellent results (the first black and white balcony photo below, by Claude Azoulay for Paris-Match, is famous):

(Mirrored).

From an article in Paris Match, Nov. 1961 (coll. J.P. Verger).

Leaving his hotel before the concerts; from Cinémonde N° 1419, Oct. 17; coll. André Monnot).

For (links to) more photos see the 1961 Chronology page.

Curiosa 

Concert posters at Palais des Sports. The police are
detaining FLN demonstrators at the venue, on Oct. 17.
Photos by Patrice Gabans/Getty.

In July 1961 a Dutch newspaper announced that Marlene Dietrich would perform during the intermissions of Ray's October concerts. Not true;-!
Use this as a starting point for the much sadder story on the "Algerian" October riots in Paris, and Ray's (marginal) role in them.

Desiderata
These truly historical concerts deserve an "audiophile" release, also to put an end to all dilettante bootleg releases. A "final" search for all surviving tapes should be conducted in the vaults of INA (and preferably also in the archives of other national radio organizations in Europe). Alternate versions should be analyzed. The best tracks should be selected for a balanced basic release, but of course I'd like to see the alternative takes added as bonus materials!
The good news is that most of the selection work has already been done by Joël Dufour, who in 1989 and 1990 successfully intermediated in a preliminary agreement between Ray Charles Enterprises and a French record company to issue a Double-CD with a selection of 24 tracks from the October concerts. (Why this initiative did not reach the market, is a separate, sad and sometimes funny story, which once may be told by Dufour himself).
Such a release, of course, would also be an excellent occasion to write and publish the amazing and necessary "1961 - 2001 Reception History of Ray Charles in France".

Many thanks to J.P. Verger, André Monnot - and to Jean-François Pitet of the Hi de Ho blog for providing me with some newspaper clippings. Special thanks to Jeff Helgesen for identifying Solitude. Very special thanks to J. Dufour for his - as always - very valuable input.

Ray Charles Presents American Music Award To Charlie Rich (1975)

Since 1974, the American Music Awards show honors artists and recordings from Pop/Rock, Soul R&B and country music. Awards are presented in each category for favorite male, female, group, single & album. The winners are determined by the record buying public. The show was produced by Dick Clark.
At the 1975 editon of the AMA, on 18 February, Diana Trask and Ray Charles presented the award for the "Favorite Country Male" category to Charlie Rich.
Some of the other winners were John Denver, Diana Ross, and Olivia Newton-John.

Ray Charles' Last Birthday Party Filmed (2003)

Stock agency CelebrityFootage has databased a clip of Ray's last birthday celebration, at his studio in Los Angeles (clip ID # 6322_001). It shows him with Willie Nelson and Quincy Jones.
Ray Charles Enterprises used it to generate some PR around Ray's health situation. A member of the Jazzcorner forum adequately responded, "It figures if Ray would be sidelined by an ailment, it would be a hip one".

Mister Ray Charles Live In Nancy (1984)

About one and a half year ago I found a copy of a newscast from a regional French TV station promoting the Festival De Jazz De Nancy 84 (a.k.a. Nancy Jazz Pulsations) that took place that same day, October 18, 1984. It showed archive materials from some of the stars, including a - hardly relevant - edit of Ray's old 3/4 Times videoclip. A year ago a video with Some Enchanted Evening, performed at this same Nancy concert, popped up on Daily Motion:

More recently, a copy of Georgia On My Mind surfaced:
   [The clip was removed]

Come Rain Or Come Shine:

Photo by Stéphane Gamelin.

A 1-hour (57m23s) broadcast, titled TF1 Présente Mister Ray Charles has survived. The TV program did not follow the order of the original setlists.  E.g. #6 and 7 often were the concert opening combination, and would never be planned this late in the setlist. Reader Hector Tarín pointed me at the fact that the footage actually comes from two concerts - one where The Genius was wearing a gray suite (#2, 3, 4, 5, 7, 9, 10, 12, 13, 14, 15), and one where he wore a black suit (#6, 8, 11). 
Tune #9 got an unusually brief and slobby treatment. As if The Genius didn't like what he heard himself do with it, he morphed it into a splendid version of She Knows. In the performance of Come Rain Or Come Shine Ray and his orchestra let every single note shine.

1. Ray Minor Ray (Ray Charles Orchestra; trombone solo - Dan Marcus)  
2. Intro
3. Feel So Bad (guitar solo - Dennis Nelson)
4. Oh, What A Beautiful Morning
5. Come Rain Or Come Shine (trombone solo - John Boice; tenor solo - Rudy Johnson) 
6. Busted
7. Georgia On My Mind
8. Some Enchanted Evening
9. If You Wouldn't Be My Lady
10. She Knows
11. For Mamma
12. Intro Raelettes
13. I Can't Stop Loving You
14. What'd I Say
15. Outro

Personnel:
Musicians: Brian Mitchell, Clifford Solomon (band leader), Ricky Woodard, Rudy Johnson, Louis Van Taylor - saxophone; Robbie Kwock, Mark Curry, Jim Seeley, Jeff Kaye - trumpet; John Boice, Dan Marcus, Dan Weinstein, Dana Hughes - trombone; Bobby Floyd - organ; Dennis Nelson - guitar; Roger Hines - bass; Ricky Kirkland - drums. The Raelettes: Trudy Cohran, Anne Johnson, Janice Mitchell, Elaine Woodard, Estella Yarbrough.

In the first clip mentioned above, Ray was credited for having "inaugurated" the first Nancy Jazz Festival, on October 10, 1973. What remains is a few seconds of the concert's intro and a fun interview with The Genius.

The INA radio archive holds a recording of a 1h23m radio program dedicated to the Nancy Jazz Pulsation (ID 589021; DL R 19940129 FCR). It was produced by Radio France, categorized as a documentarty, and aired on 29 January 1994 in their France Culture series. This description regretfully does not specify the precise contents, but Ray Charles (and then possibly his 1984 performance) was part of it.

I also found a source mentioning a 20 minute TV compilation of the festival, with Michel Petrucciani, Ray Charles, and The Antoine Hervé Big Band.

Ray Charles On Japanese TV Show (c 1992)

The person who uploaded this Georgia On My Mind-clip to Youtube thinks it's from a TV show that aired between 1992 and 1994. The broadcaster is NHK. It may indeed have been taped during Ray's 1992 visit to Japan (described here), or during his 1994 Japan tour (see bottom of this page).

'92c TV Japan:
   [Clip was removed from YouTube]

Ray's Other Hand (1961)

From Jet magazine, Apr. 20 and 27, and May 25, 1961.

20 March 1961: Ray Jr. finds his father with an arterial bleeding from his left hand. After his house doctor's treatment, Sr. resumes playing after a week or so. According to legend, for the next weeks Ray would play piano with his right hand only, but the photo above shows that he (soon?) resumed using his left hand.

26 March 1961: Concert at Pyramids in Baltimore postponed.

April - May 1961: On Hal Zeigler tour with extended big band; a.o. St. Louis,  Masonic Auditorium in Detroit (where Joe Adams was engaged as emcee), Cleveland, and Chicago; tour ending at Carnegie Hall.

8 – 9 April 1961: McCormick Place, Chicago (see page from Jet, above); with Betty Carter.

November 1961: Release of the single But On The Other Hand, Baby (b/w Unchain My Heart).  

Ray & Stevie Honoring Quincy At 24th Kennedy Center Celebration (2001)

On December 2, 2001 Quincy Jones was one of the recipients of the 24th Kennedy Center Honors (together with Julie Andrews, Van Cliburn, Jack Nicholson and Luciano Paverotti).
At the gala, the audience was treated to a duet by Stevie Wonder and Ray Charles, singing Let The Good Times Roll. Charles also sang My Buddy. The Genius also contributed a few piano notes to A Brand New Day (performed by Patti Austin, James Ingram and Stevie).
The show was broadcast on December 26, 2001 by CBS.
The LA Times wrote, "But on a night of seemingly endless standing ovations, the only tribute that really gets everyone from Laura Bush to Secretary of State Colin Powell moving in their seats is the last, for Jones. The segment, featuring Stevie Wonder and Ray Charles, not only affirms Jones' influence on pop music but also something about the arts: that there is more joy in the doing than the congratulating."
A DVD copy of the show is for sale here.

My Buddy:

Let The Good Times Roll:

A Brand New Day (starts at 17:06):

Ray Charles' First Soundtrack, COSMIC RAY (1961)

Bruce Conner (1933 - 2008) has been described as the father of MTV-style editing. His reply: Don’t blame me!
Conner was famous for his collage and assemblage art, combining drawing, sculpture, painting, and photography, illustrating the "discarded beauty of modern America, the deforming impact of society on the individual, violence against women, and consumerism". In the late 1950s he started also mixing in film as an artform.
In 1961, Conner completed his second film, COSMIC RAY (titles of Conner's works, per his explicit directions, are to be typed in CAPITALS, always). It's a 4m43s black-and-white collage of found film fragments (with atomic bomb explosions) and footage that Conner had shot himself (a nude woman with a pearl necklace), set to a soundtrack of Ray Charles' What'd I Say (using the biggest part of the live version from the album Ray Charles In Person, recorded on 28 May 1959 at the Herndon Stadium in Atlanta, and released in 1960). The film has been nicknamed the "granddaddy of all music videos".
The movie premiered in 1962. Art critics suggest it concerns sex and war (that's probably why we never read what they write). Conner subsequently made more than 20, mostly non-narrative, films.

Was It Chubby Wise That Ray Charles Played With In The Florida Playboys (1947)?

See this for update.


NOTE 10 October 2011:
In this thread from 2000 on RootsWeb another, and much more substantiated, story about The Florida Playboys seems to unfold. The main participant in this discussion is the daughter of "Tiny" Grier, one of the Playboys. She has informed me that she has recently resumed doing further research on the band, and hopes to share the results when she is ready with it.

Ray Charles loved to reminisce about his earliest endeavors in country music. Shortly after his 17th birthday, in 1947, he landed a gig with The Florida Playboys*. In Michael Lydon's biography, Ray Charles - Man And Music, the story is that "[o]ne audition convinced the Playboys that RC could play country music with a genuine flavor, and they hired him, no questions asked about race. For several months he gigged with the band, playing current country hits like Kentucky Waltz in white honky-tonks in and around Tampa, learning to yodel, and singing Waiting For You as his featured number. [...]. RC's interlude with the Playboys, though brief, planted a seed in Ray Charles' music that would lie dormant for a decade before sprouting. Yet this important event has left barely a trace in any but Charles' own memory. Gossie McKee and Manzy Harris [...] nor Ray remembered any names. [...]. The histories of some bands, however, are written on the wind, and the other Playboys may have forgotten the nights with RC [...]."

Searching through Google's historical newspaper database, however, leads to one little article in the St. Petersburg Times from May 13, 1945, reporting how the "Tarpon Springs Legion Boosts War Bond Sales", through an event where the music was performed "by Chubby Wise and his Florida Playboys".

Robert Chubby Wise (October 2, 1915, Lake City, Florida - January 6, 1996) was a well known American bluegrass fiddler (also read this and this), who, through his career, played in and with many bands, sometimes even in several bands at the same time. The second-oldest article I found about him was in Billboard from 12 June 1948, describing how "Clyde Moody, Chubby Wise, the Wheeler Bros, and Red Seal are featured as the Radio Ranchmen in half of a two-hour show daily over WARL, Arlington, Va".
According to his biography, he joined Bill Monroe's Blue Grass Boys in 1942, and "performed and recorded with the band through 1948". So leading the Florida Playboys must have been something he did on the side.

Of course the phrase "by Chubby Wise and his Florida Playboys" is ambiguous - it may also refer to two separate acts. And of course the gap between the St. Petersburg Times squib from 1945 and  Ray's vague memories of his Florida Playboys gigs in 1947 is way too big to postulate that Charles and Wise have played together, but listening to Wise's specific bluegrass style can give a slightly better idea of the music that Ray may have played in this band. In a Times orbituary, Chubby's music of this period has been described as "a mixture of the drone double-stops of mountain music, the bent and sliding notes of rural blues and a speedy, swinging, daredevil virtuosity".

This fan has shared loads of Wise tunes on Youtube. For more on Chubby, also read this book and this post.
* In the '30s and '40s "Playboys" was a frequently used element in group names for bluegrass/hillbilly bands.