On 6 and 7 December 1975 the Ray Charles group played a series of concerts in Mexico City. I wrote earlier about a 'board mix' version of Cherry, but it turns out that all of the instrumentals that were performed by the Ray Charles Orchestra have also survived, coming from the same tape recording. The sound quality isn't great, but the jazz is marvelous.
Sister Sadie (Johnny Coles and Leroy Cooper played the head; Leroy Cooper - solo bs)
Samba De Elencia (Andy Ennis - solo ts; Ken Tussing - solo tb; Clifford Solomon - fill on last chord)
Unidentified instrumental (Johnny Coles and Clifford Solomon played the head; Johnny Coles - solo plunger trumpet; Clifford Solomon - solo as; Ernie Vantrease, solo p)
Morning Of Carnival (Dave Boyle - solo bass tb; Johnny Coles, solo flugel)
Spain (Jack Evans - opening flugel, solo tp; Ed Pratt, solo as)
Blowing The Blues Away (Jack Evans [or Waymon Reed?*] - solo tp; Leroy Cooper - solo bs; James Clay, Andy Ennis - solos ts; Bob Coassin - solo screech tp)
* Jack Evans, who also contributed the other notes to the tunes, as mentioned above, remembers that Reed "[...] joined the band for a very short time when we returned from the 1975 Australia/Japan tour. [...] We had met Waymon earlier in the year in NY, and he expressed a strong interest to play with RC if the opportunity came up."
#3 was a funky & funny tune yet to be identified; Coles' solo on plunger trumpet is a rare feat. #4 (Morning Of Carnival a.k.a.Manhã De Carnaval and Black Orpheus) is the only known live version of this tune by the Ray Charles band; it was first released on the Jazz II album (1973); it's also the only known taping of a solo by Dave Boyle as a band member.
"If it's really something good that was not on the record, that's okay, because when I perform I can make the performance of the song better than the record was."
The Genie
Ray Charles at the Apollo (Apr. or maybe Oct. 1959), working on his Wurlitzer. Photo by Alex Harsley.
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About
The Ray Charles Video Museum is a research project, documenting live performances by The Genius.
This blog is above all aMediagraphy. It's also a discography (or, more correctly, a trackography), aggregating all tunes that Ray sang and/or played - including the "canon" of 700 tracks listed on the official Ray Charles website, but also identifying the songs that have never been officially released, and e.g. the recordings of other artists, where Ray backed them on piano. Thirdly, this blog has evolved into a multimedia Chronology (click the years in the panel al the top of this page) of Ray's productive live.
I also try to do some justice to the more than 1,000 great musicians and singers who contributed to Ray's career (1, 2).
The Quotes page lists the wisest, craziest and funniest things that the Genius ever said. If you want to read more about Brother Ray, go here.
The availability of the streaming video and audio content on this blog is constantly under pressure. Some rights owners still think that sharing these videos damages their sales. I'm keeping disfunctional clips as placeholders - to show that the footage exists, and to replace them when new uploads appear on the Web.
The articles in this blog are continuously updated and improved. Your help is more than welcome.
The Bishop seduces the world with his voice
Sweat strangles mute eyes
As insinuations gush out through a hydrant of sorrow
Dreams, a world never seen
Mounded on Africa's anvil, tempered down home
Documented in cries and wails
Screaming to be ignored, crooning to be heard
Throbbing from the gutter
On Saturday night
Silver offering only,
The Right Reverend's Back in Town
Don't it make you feel all right?
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