Ray Charles On The Dinah Shore (Chevy) Show (1963)
Ray Charles appeared in The Dinah Shore Show in its 7th season, episode 5, aired on 20 or 23 January 1963. The other guests were Liberace, Peter Nero and Big Tiny Little. The program traced the history of the piano "from the lyrical precision of Chopin to the spirited improvisations of modern jazz". Ray performed Just A Little Lovin', You Don't Know Me, and What'd I Say. In the finale Charles, Nero, Liberace and Little backed Dinah on Zip A Dee Do Dah.
The most talked about moment in the white press the day after the show was that Dinah had put her hand on the shoulder of Ray (see photo below). The contemporary black press only talked about Ray's fat $15,000 cheque. (Also read this article by Marc Myers: How TV Sabotaged Racism).
The show probably was taped & broadcast in color.
In the 5-DVD Boxset titled The Dinah Shore Chevy Show- 10 Episodes, Ray is in show #10. A tape of the original show is in the UCLA Library. The footage of the show is offered for licensing by Retro Video; black and white copies have been circulating on the web.
Ray brought his orchestra and The Raelettes to the show. I advise to watch the whole program (it's a gem), but if you only want to see & hear The Genius, follow these cues:
[Dinah's laudatory intro] 27:00
Just A Little Lovin' 27:40
You Don't Know Me 30:50
What'd I Say 34:24
[Finale:] Zip A Dee Do Dah (with Dinah Shore, Liberace, Peter Nero and Big Tiny Little) 54.39
At the first notes of You Don't Know Me you can see one of the trumpet players - probably Phil Guilbeau - returning to his chair, most probably after taking a solo... Are we missing a song, or did the director miss him when he came forward to play these last tones of Just A Little Lovin'?
For more on Ray & Dinah also see this (1956) and this (1967).
The integral TV show (the original was probably - also? - broadcast in color):
At the end of this copy there are another 8 minutes or so. Were they originally used as an announcement for the whole show?
Photos and clippings
A white hand on a black shoulder... From Jet, TV - Ray Charles, Dinah Shore, 21 November 1963.
From Jet, 24 January 1963.
From Ebony, April 1963.
Rehearsal scene. From Jet, 31 January 1963.
Rehearsal scenes: Dinah Shore and Ray Charles. Photos by Howard Morehead.
Still from the show's finale. Source: Billboard, 15 October 1966.
Rehearsal scene: Liberace and Ray Charles.
Ray's booking and PR agents and Atlantic would re-use the photos taken at the set of the TV program for many years. This one is from an article in the Dutch newspaperNieuwsblad van het Noorden, from April 27, 1963.(The article specs out the groups' personnel in 1962).
Personnel (per section, f.l.t.r.)*:
Musicians: Marcus Belgrave, Wallace Davenport John Hunt, Phil Guilbeau; Leon Comegys, Henderson Chambers, Julian Priester, Keg Johnson - trombones; David Newman, Hank Crawford, Buddy Pearson, James Clay, Leroy Cooper - saxophones; Unidentified - drums; Sonny Forriest - guitar; Edgar Willis - bass. The Raelettes: Margie Hendricks, Gwen Berry, Pat Lyles, Darlene McCrea.
*Many thanks to Joël Dufour.
Since '63 a cluster of photos, apparently made during the taping of this show, has been published in Ray Charles-related publicity materials. But the odd thing is that the situations depicted in these photos aren't reflected in the actual footage of the show as we know it. Obviously, somebody - probably Joe Adams - decided to use the set of the TV show for the shooting of a series of publicity photos. All or most of the photos shown in this blog post were made by Howard Morehead.
Publicity photo: Ray - standing in front of the Orchestra - acts as if he's taking a solo on saxophone. Note that Hank Crawford is holding a flute here. Joe Adams accidentally stepping into the picture?!
Publicity photo: this one was probably taken a second later.
Publicity photo: Ray Charles and Dinah Shore standing in front of the Orchestra.
Publicity photo: Ray Charles and Dinah Shore, flanked by The Raelettes, standing in front of the Orchestra (clipped from c. 1964 souvenir brochure). Publicity photo: David Newman on flute (clipped from c. 1964 souvenir brochure).
Publicity photo: in the mid Sixties Ray Charles' concerts frequently featured a pre-intermission section announced as "the Band within a Band", i.e. the members of Ray's 'small big band'; here with f.l.t.r. Leroy Cooper, David Newman, Hank Crawford, John Hunt, Phil Guilbeau (clipped from c. 1964 souvenir program).
This album cover photo (released in August '63) was also shot during the production of the Dinah Shore show. Photo by Howard Morehead. Cover design by Frank Gauna.
"If it's really something good that was not on the record, that's okay, because when I perform I can make the performance of the song better than the record was."
The Genie
Ray Charles at the Apollo (Apr. or maybe Oct. 1959), working on his Wurlitzer. Photo by Alex Harsley.
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About
The Ray Charles Video Museum is a research project, documenting live performances by The Genius.
This blog is above all aMediagraphy. It's also a discography (or, more correctly, a trackography), aggregating all tunes that Ray sang and/or played - including the "canon" of 700 tracks listed on the official Ray Charles website, but also identifying the songs that have never been officially released, and e.g. the recordings of other artists, where Ray backed them on piano. Thirdly, this blog has evolved into a multimedia Chronology (click the years in the panel al the top of this page) of Ray's productive live.
I also try to do some justice to the more than 1,000 great musicians and singers who contributed to Ray's career (1, 2).
The Quotes page lists the wisest, craziest and funniest things that the Genius ever said. If you want to read more about Brother Ray, go here.
The availability of the streaming video and audio content on this blog is constantly under pressure. Some rights owners still think that sharing these videos damages their sales. I'm keeping disfunctional clips as placeholders - to show that the footage exists, and to replace them when new uploads appear on the Web.
The articles in this blog are continuously updated and improved. Your help is more than welcome.
The Bishop seduces the world with his voice
Sweat strangles mute eyes
As insinuations gush out through a hydrant of sorrow
Dreams, a world never seen
Mounded on Africa's anvil, tempered down home
Documented in cries and wails
Screaming to be ignored, crooning to be heard
Throbbing from the gutter
On Saturday night
Silver offering only,
The Right Reverend's Back in Town
Don't it make you feel all right?
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