Remembering Ray Charles (1987, 2004)

From an article by CBS News' Rebecca Leung: 

[...] 60 Minutes put together a tribute to Charles, looking back at a story we did with him when he was in his prime. What we found was some revealing footage of how he lived his life without sight - as well as some insight into his heroin addiction.
But first, with the help of Willie Nelson and Quincy Jones, Ed Bradley takes a look at the genius of Charles, and how he achieved a certain immortality with his versions of some classic American music.
"Music really and truly is my bloodstream, you know, my breathing, my respiratory system," said Charles. "And as long as the public is willing to listen to me, there ain't no retiring until the day when they put me away." [...].
Did he talk about death at all? "No, no, no," said Nelson. "He always laughed."
Nelson said Charles'incomparable talent left its mark across American music, including country. He remembers when Charles' first country album hit the charts in 1962.
"He did more for country music than any other living human being, because when he did that album, already Ray Charles was, you know, a household word," said Nelson. "Here’s Ray Charles doing country songs, introducing those songs to millions and millions of people who, otherwise, would have never had a chance to hear them."
How did Charles straddle so many styles, and do it so well?
"He just had a feel for all kinds of music, so his musical talents had no boundaries," said Nelson.
Legendary producer Quincy Jones, who’s known and worked with Charles since they were teenagers, said Charles had that range when they first met in Seattle in 1947.
"Ray came to town, lit it up like a rocket," said Jones, who adds it was obvious, early on, that Charles was a special talent. "He had it. Whatever it is, Ray had it. And everybody knew it."
"Sinatra called him the only genius in the business," said Bradley.
"I would agree with that. Ray had a range, a 360 range that I don’t think anybody ever had," said Jones.
Charles took that musical range on the road to every corner of the world for over 50 years, and he was always happiest when he was performing.
In 1986, 60 Minutes was privileged to follow him around and watch him make his music. Crews first caught up with him on the road at a Holiday Inn for a late night game of cards.
"The first hand you got blackjack? And I shuffled the cards," said Bradley. "How do I know you’re not cheating me?"
"Well, how can I cheat you if you gave me the cards? I ain’t touched the cards," said Charles. "The cards haven’t even been nowhere near my hand."
"How do you know I’m not cheating you," asked Bradley.
"Well, let’s put it this way. I figure at this stage of the game, if I got to worry about you, just like I tell my woman," said Charles. "I mean, at this point and time in my life, if I got to worry about what you doing when I’m away from home, then we ain’t got a chance, do we? You know, because there ain’t, that life ain’t going to work like that. I’m gone too much." [...].
When 60 Minutes visited Charles, he was living in a modest apartment in Beverly Hills, nothing fancy. Unselfconscious, he gave a rare glimpse of his daily routine, what it was like to be Ray Charles. [...]
"[He's] the most independent man I’ve ever seen in my life. The only time where he ever appeared to have any kind of handicap was when a beautiful woman was in the room," said Jones. "Then he started walking into walls and so forth. ...‘Can I help you Mr. Charles?’Jones says the sympathetic women would say. ...He'd get real blind, you know, when the pretty girls were around." [...]
Did the drugs make him play better, or perform better? "I never did think that," he said. "I used them because I enjoy, I mean, I enjoyed what I was doing."
After he gave that up, he was rarely without the Ray Charles Cocktail – coffee, a little sugar, some gin. But Charles was always serious about the business of being Ray Charles. He was one of the first artists to own his own master recordings.
"You’ve made a more than comfortable living, but have you made the kind of money that the really big white artists make?" asked Bradley.
"No, obviously I haven’t. And won’t. But so what? I can’t eat but one meal a day. I can’t make love but to one woman at a time, do you understand," said Charles. "I mean, so when you get right down to it, man, you can have 15 islands or whatever, or 13 cars or 10 airplanes. But what does it all mean, you know? I am, as you so beautifully put it, comfortable. I like that."
How does Nelson explain Charles' longevity? "He touched all of us. He sang to everybody," said Nelson. "He was the guy who felt it as much or more than anybody."
"He said, ‘Every music has its own soul. Be true to the soul of the music,’" said Jones. "And those are words that have stuck with me for the rest of my life." [...]
Is there a quintessential Ray Charles sound? "Absolutely. It is the pain converted into joy," said Jones. "It’s darkness converted into light."

Remembering Ray Charles largely went back on Ed Bradley's 60 Minutes: Ray Charles, first aired by CBS on 29 March 1987. Source here.

Over the course of Bradley's twenty-six years on 60 Minutes, he did over 500 stories, covering nearly every possible type of news, from "heavy" segments on war, politics, poverty and corruption, to lighter biographical pieces, or stories on sports, music, and cuisine.
Some of his quirkier moments included playing blackjack with Ray Charles. Crews first caught up with Ray on the road at a Holiday Inn for a late night game of cards. This is how the story goes:

"The first hand you got blackjack? And I shuffled the cards," said Bradley. "How do I know you’re not cheating me?"
"Well, how can I cheat you if you gave me the cards? I ain’t touched the cards," said Charles. "The cards haven’t even been nowhere near my hand."
"How do you know I’m not cheating you," asked Bradley.
"Well, let’s put it this way. I figure at this stage of the game, if I got to worry about you, just like I tell my woman," said Charles. "I mean, at this point and time in my life, if I got to worry about what you doing when I’m away from home, then we ain't got a chance, do we? You know, because there ain't, that life ain't going to work like that. I'm gone too much."

It seems as if this 16'30" copy entails the complete 60 minutes item:

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